This review article focuses on perspectives from Canadian Indigenous literature about decolonizing education on behalf of Aboriginal populations. The research informs accountability, education, and policy in Canada and globally. Components of colonization parsed in sources are tribal injustice, dispossession, discrimination, conflict, and…

This paper examines two Canadian (Quebecois) novels for young adults, translated from French to English in Canada: "The Road to Chlifa" by Michele Marineau, and "Pieces of Me" by Charlotte Gingras. We examine the representation of adolescent bodies in space and movement, and how these coming of age narratives play out in…

In a country as diverse as Canada, spread over an incomprehensibly large land mass, the connections between citizens may require more imagination. One way that these connections have been traditionally imagined in Canada is through national myths, including the myth of the wilderness. This myth draws the Canadian identity out of an…

Canada's rich literary heritage, dominated by a multicultural and multilingual presence, reflects the country's unique history and experience. In addition, an emerging body of new writers is redefining both the geographic and metaphorical boundaries of Canadian literature. Coupled with the propagation of digital technologies, Canada's burgeoning…

This article explores how Indigenous Canadian children's literature might challenge adult and child readers to consider different meanings and worldviews of the environment as a land-based value system. As three teacher educators from elementary and university classrooms, we use reader-response theory to explore a collection of rich alternative…

Recounts the history of the development of a Canadian national literature from romantic retrospection to commitment to the future. (RAE)

Argues that humor is an international language and phenomenon that retains, in the transposition, its own subtle boundaries, and that the essential duality at its core will continue to require familiarity with the contours and mixed reality of the chosen homeground. (RAE)

Argues that adopting a metacritical stance and examining the dialogue between text and audience will result in a better understanding of how Canada's cultural and intellectual contexts shape the interpretive act, and how this dialogue constructs the public meaning of literary works. (RAE)

Claims that Quebec writers in the 1960s-80s, buoyed by nationalist and separatist aims, created alternative "Marias" who write out of their language, dreams, and bodies, and who are trying to effect a further liberation. Asks where future trajectories invented by Quebec writers will propel their readers next. (RAE)

Explores a cultural image--how Canadians view themselves and their society--from an American immigrant's perspective. (RAE)

Argues that the way out of worn out analogies of Canadian literature is found not only by acquiring knowledge of other cultures, but also by abandoning the deceptive parallelisms that overcome differences only by hiding them. (RAE)

Reviews eighteenth and nineteenth century Canadian literature. Notes that despite its cultural significance, this early literature has been dismissed by critics and scholars. (MM)

Eight women's periodicals published in Quebec are described and their contents, readership, and editorial policies are discussed at length. The information was derived from interviews with editors, executives, or journalists, and the grouping excludes magazines focusing on one specialized topic. (MSE)

Discusses the teaching of Australian literature in Australian universities and draws parallels with Canadian literature in Canadian universities. (AA)

Suggests granting greater recognition to the artistic integrity of Canadian literature by removing it from the broader context of Canadian studies. Indicates that understanding and appreciation of Canadian literature as a representation of reality filtered through the perception of an author should be focus of literature in schools. (NEC)