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Salverson, Julie – Research in Drama Education, 2023
A meditation on drama practice from an artist in Canada. My university students are preoccupied with damage and trauma. There are paralyzing obstacles to working across differences that were useful for a time but no longer serve a robust solidarity. The stories we collect, tell and re-tell ourselves to prepare for a 'never again' are stifled if…
Descriptors: Foreign Countries, College Students, Trauma, Theater Arts
Lax, Annecy – Research in Drama Education, 2021
This article problematises the concept of 'resilience', and the globalised power dynamics which lie behind a narrative of overcoming adversity in the context of Palestinian Theatre. By exploring the work of ASHTAR, specifically focusing on the artist Iman Aoun, this paper examines the lack of political and practical solidarity revealed in…
Descriptors: Resilience (Psychology), Theater Arts, Foreign Countries, Power Structure
Pinder, John Yves – Research in Drama Education, 2018
This review of the permanent exhibition of the International Red Cross and Red Crescent Museum in Geneva focuses on its representations of extreme forms of violence as well as humanitarian struggles against these. The article pays close attention to the role that theatre and performance plays in the construction of the museum as a space in which…
Descriptors: Criticism, Theater Arts, Violence, Museums
Fletcher-Watson, Ben; May, Shaun – Research in Drama Education, 2018
'Relaxed performances' allow theatre spectators to experience a non-judgmental environment, featuring adjustments to make them more accessible to a range of audiences. The Autism Arts Festival attempted to develop the idea of relaxed performances further to create an entirely autism-friendly festival in Canterbury. The organisers developed a suite…
Descriptors: Theater Arts, Autism, Sense of Community, Social Bias
Bula, Andrew – Journal of Practical Studies in Education, 2021
Reverend Father Professor Amechi Nicholas Akwanya is one of the towering scholars of literature in Nigeria and elsewhere in the world. For decades, and still counting, Fr. Prof. Akwanya has worked arduously, professing literature by way of teaching, researching, and writing in the Department of English and Literary Studies of the University of…
Descriptors: College Faculty, Foreign Countries, Literary Criticism, Teaching Methods
Sultanova, Zhanagul S.; Yeshmuratova, Anar K.; Nursultan, Yelik; Kabdiyeva, Saniya D.; Zhuasbek, Yerkin T. – International Journal of Environmental and Science Education, 2016
The research work deals with the practices and specific features of Kazakh theater, especially with the specifics of the director's decisions on performances based on European and Russian classical drama. The authors determine that the experienced directors from Russia were invited in order to influence the professional development of Kazakh…
Descriptors: Theater Arts, Faculty Development, Films, Professional Development
Ward, Sophie – Journal for Critical Education Policy Studies, 2018
This paper offers a critical analysis of the imposition of Fundamental British Values (FBVs) in schools and nurseries as part of Prevent, the UK's counter-terrorism strategy, and compares the rationale of this policy with the motivation for Theatre in Education (TIE). This paper argues that the 'values' promoted through education under Prevent…
Descriptors: Theater Arts, Teaching Methods, Social Values, Propaganda
Joseph, Michael; Ramani, Esther; Tlowane, Mapelo; Mashatole, Abram – South African Journal of Childhood Education, 2014
The extensive empirical research inspired by Piaget and Vygotsky's theories of make-believe play has been criticised for restricting data to Western, urban, middle-class children. We seek to redress this bias by researching the traditional black South African Pedi children's game Masekitlana. Our data relies on embodied memories enacted by Mapelo…
Descriptors: Play, Criticism, Ethnography, Blacks
Greer, Stephen – Research in Drama Education, 2011
This paper offers a queer-theory inflected reading of identity practices in British Theatre-in-Education (TIE) work seeking to address sexual identity and, more specifically, homophobic bullying. Noting the potentially unmarked or socially invisible quality of queer identities, this discussion seeks to reconsider the status of "coming…
Descriptors: Bullying, Confidentiality, Identification, Homosexuality
Balfour, Michael – Research in Drama Education, 2009
The paper provides a review of some of the terminologies and definitions of applied theatre, critiques the "transformative principle" argued for by some applied researchers, and extends this to a discussion on the complex relationship between donor agendas and the politics of intention that contribute to the shaping of applied discourse…
Descriptors: Theater Arts, Intention, Politics of Education, Definitions
Farrier, David – Research in Drama Education, 2008
This essay examines Michael Winterbottom's 2002 film "In This World," which follows the journey of two Afghan migrants from Peshawar to London. Winterbottom's preparation involved travelling from London to Peshawar and then in reverse overland as far as Istanbul; he then returned to Peshawar and filmed the same journey using two…
Descriptors: Film Production, Film Study, Refugees, Theater Arts
Gluhovic, Milija – Research in Drama Education, 2008
Focusing on "The Sheep and the Whale" ("Le mouton et la baleine," 2001) by Moroccan-Canadian playwright Ahmed Ghazali, this essay examines political and ethical issues concerning human migration from Africa to Europe. The play's representation of human rights abuses in the Strait of Gibraltar and the dilemmas facing illegal…
Descriptors: Foreign Countries, Ethics, Civil Rights, Foreign Policy
Jestrovic, Silvija – Research in Drama Education, 2008
This essay investigates performance events that feature actual refugees, asylum seekers and immigrants, but in instances where presence and embodiment are mediated and made ambiguous. My focus is a fashion show by Catalan designer Antonio Miro, who uses refugees from Senegal as models, and Christoph Schlingensief's public art project…
Descriptors: Art Education, Foreign Countries, Case Studies, Ethics
Burvill, Tom – Research in Drama Education, 2008
This essay begins by outlining Emmanuel Levinas's radical conception of ethics. Levinas invokes/declares an absolute and primary obligation of responsibility to the human Other, whom he figures hyperbolically as invoked by the epiphany of the encounter with "the face of the Other." This encounter with alterity founds not only ethics, but…
Descriptors: Ethics, Political Attitudes, Public Policy, Refugees
Kirby, Michael, Ed. – The Drama Review, 1979
Defining structuralism as an unannounced aesthetic movement that involves not only the theatre but all arts, this journal issue focuses on structuralist performance. The nine articles provide information on the following topics: the French theatre group, Atelier Theatre et Musique; "Tell Me," a play by Guy de Cointet; patterning in "Five…
Descriptors: Drama, Dramatics, Films, Foreign Countries
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