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Li, Xunnan – Research in Drama Education, 2022
Neoliberalism as it emerged from the West, has been localised when it entered China along with the global market. In the 2010s, a series of neoliberal policies under the mass entrepreneurship and mass innovation (MEMI) initiative were launched to support an entrepreneurial environment for Chinese theatres. To understand how the state applied…
Descriptors: Neoliberalism, Foreign Countries, Entrepreneurship, Theater Arts
Yasmine Kandil – Research in Drama Education, 2024
This article looks at the meaning of solidarity as related to the Egyptian uprising of January 2011. Through participant interviews, field notes, and observations, the author examines the role of grassroots theatre in enabling the aspirations of the revolution to live on amongst its players, and despite more stringent state control over the arts…
Descriptors: Conflict, Foreign Countries, Arabs, Economic Impact

Ritch, Pamela – Children's Theatre Review, 1985
Dr. Merlin (director of the Rodolfo Usigli Center for Research, Information and Documentation at Bellas Artes, Mexico City) talks about professional children's theatre, creative drama in education, and the child as artist. (PD)
Descriptors: Children, Creative Dramatics, Elementary Education, Foreign Countries
Secondary School Theatre Journal, 1979
An actor from an Australian theatre group, touring American high schools, comments on the group's background, Australian government subsidies for "theatre-in-education," and the role of theatre arts in education. Briefly compares American and Australian students' awareness and attitudes towards theatre. (JMF)
Descriptors: Dramatics, Financial Support, Foreign Countries, Government Role

Matley, Bruce – Theatre Journal, 1980
Describes the West German system of state theaters and public acting schools and compares their system with the fragmented American actor training provided by college and university drama departments. (JMF)
Descriptors: Acting, Dramatics, Foreign Countries, Government Role

Furman, Lou – Youth Theatre Journal, 1992
Provides background information and excerpts from an interview with Josef Krofta, highly acclaimed director for the East Bohemian Puppet Theatre in Drak, Czechoslovakia--a company internationally recognized for its innovative style in which the puppet and the live performer are integrated. Highlights Krofta's personal philosophies and theater for…
Descriptors: Audiences, Financial Support, Foreign Countries, Government Role
Lescure, Jean; Degand, Claude – 1981
Various aspects of the role of the state in fostering creative art and cinematography are discussed in the two reports presented in this volume. In "The Role of the Market in the Relation Between the State and Cinematographic Creation" Jean Lescure emphasizes that this relationship should be viewed as one of complicity rather than…
Descriptors: Artists, Creative Art, Cultural Enrichment, Cultural Opportunities
Tripet, Edgar – 1978
The report presents an overview of cultural policy in Switzerland. It was summarized from a 1976 study of Swiss cultural policy by the Federal Department of the Interior and published by the Council of Europe to provide information to cultural and political circles outside of Switzerland. The document is presented in two major parts. Part I…
Descriptors: Art, Arts Centers, Citizen Participation, Creative Expression
Inter Nationes, Bonn (West Germany). – 1988
The interplay between government and artists and between politics and culture, especially as it relates to the avant-garde and the public, is the topic of this Inter Nationes forum, held jointly with the Center for Journalistic Studies at the University of Giessen and the Federal Mission of Rhineland-Palatinate. As Dr. Bernhard Vogel, president of…
Descriptors: Artists, Cultural Activities, Cultural Context, Cultural Opportunities