The presence of non-disabled artists challenges the possibility of disability aesthetics in arts and disability projects. This study therefore examines the meaning of disability for the aesthetics of their collaborations and artistic practice through in-depth interviews with twelve Belgian non-disabled performing artists. The findings show that…

The objectives of this research were to study (1) the development of knowledge on the aesthetics of Lam in Ubon Style, and (2) the process of transferring knowledge to inherit the performing arts of Molam Morlam-Ruang-Tor-Klon in Ubon style. Data from documents and fieldwork were analyzed and presented using descriptive analysis. The results…

This article explores the risks and potentials of staging vulnerability in community theatre with teenage girls. By drawing on postconstructionist and spatial theories, the article elaborates on how aesthetic spaces emerge when interwoven with spaces of vulnerability. Exploring how vulnerability becomes a generative, or restrictive force, the…

This paper presents the findings of aesthetic qualitative research conducted in Israel for the purpose of increasing the understanding of the reception process among kindergarten children (aged 5-6). The paper focuses on the link between Theatrical Communication, personal 'Cargo' young audiences 'carry' upon attending a theatrical event and…

This article explores taste processes within a group of musical theater students and their voice teacher, the latter also acting as researcher, while working with an aesthetically broad repertoire in a higher education setting in Norway. The study is designed using an action research approach, and the collected data--students' reflection notes,…

This article reflects on the ethics and process of writing and performing the play "This Is Us" with a group of rejected asylum seekers from Deportation Centre Sjaelsmark in Denmark. Positioned within larger frameworks of political and media hostility, the group pushed for a more radical approach of 'not just theatre', but called instead…

In this paper, the authors argue for novel, less mimetic, ways to harness "the real" in drama practices. They study particular youth theatre-making practices in a Toronto secondary classroom, both successes and failures, to make the case for an untethering of "the real" from realism's representational aesthetics. They further…

The COVID-19 pandemic emphasises the importance of care for our societies, yet underscores the inferiority of relational caring practices. During this time, we studied the participatory work of artists working with older adults using participant observations, in-depth interviews and visual ethnography. In this article, we present a case study of…

Through this reflection on ageing and occupationally damaged bodies in performance, I argue that a probody aesthetics is fundamental to generating and sustaining care in community-engaged theatre projects. Such aesthetics is concerned with adopting a body-centric approach to making community-engaged theatre and arts, which insists artistic…

Commissioned for the London 2012 Cultural Olympiad, Kaite O'Reilly's play "In Water I'm Weightless" uses access aesthetics as well as content to interrogate the relationship between wholeness and disability. Featuring an entirely d/Deaf and disabled cast, the play provides a multitude of ways through which the performance can be…

This article argues that in a society transformed by an increasing bureaucratic nexus of migration, artistic responses to political crises are particularly effective when working with institutions. To probe the prevalent discourse on the efficacy of performance art, the article interrogates "Grandhotel Cosmopolis" through a lens of…

The landscape of arts education is changing, with an increased focus on collaborative partnerships between schools and arts sectors for the purpose of creating richer arts education - both process and products. Using a combination of phenomenology and autoethnography, this research explores how one particular form of arts education partnerships…

This paper analyses the theatre experiments of Badungduppa theatre (Assam, India). This theatre group is made up of tribal 'Rabha' community actors, a director, and theatre workers, and it incorporates the forgotten aesthetics of the community into its theatre practice and actor training. Over time, the Rabha community has been exploited by the…

In Kashmir, where the act of performing a script-based play on a proscenium stage is still seen by many as a controversial gesture, "Cages" involved the devised creation of a site responsive and immersive performance that placed two spectators, literally, in the shoes of an(Other). The potential of these forms of spectatorship, as…

This article focuses on how ableist discourses and practices seek to "normalize" the disabled body which is deemed to be "deviant". This leads to acts of normalization that expose disabled bodies to precarity, conceived here as the lived experience of marginalization, ostracism and vulnerability. Using the case study of a…