Reviews the 1988 Vancouver Children's Festival. Explores some of the educational implications of this event. (MM)

Reports on the changes occurring in youth theater in the Soviet Union. Describes several plays presented at the International Professional Youth Theatre Directors Seminar in Moscow. (MM)

Describes the author's directing experiences in Lima, Peru, and in San Migual de Allende, Mexico. Includes insights gained through work in both Spanish-spoken theater and bilingual Spanish-English theater. (SR)

Provides background information and excerpts from an interview with Josef Krofta, highly acclaimed director for the East Bohemian Puppet Theatre in Drak, Czechoslovakia--a company internationally recognized for its innovative style in which the puppet and the live performer are integrated. Highlights Krofta's personal philosophies and theater for…

Provides a first-hand account of a Soviet-American theater arts exchange, the world premiere of Soviet playwright Gennadi Mamlin's "On the Edge," performed in the Soviet Union by the Louisville Children's Theatre. (MM)

Considers how a researcher-practitioner, recognizing the human aspiration for wholeness, makes sense of the jumbled multiplicity of meanings available in the study of culture, education, and mediating art forms such as creative drama, theater in education, and childrens's theater. Describes field work during an ethnographic study at Pit Prop…

Examines, through interviews with two prominent Israeli theatre teachers, the status of children's theatre in Israel at the present, and notes the problems with the types of children's theatre being produced, including the fact that children's plays are too didactic, and that there is little funding to produce them. (JC)

Discusses the interaction of culture and creative drama. Examines agricultural societies under three conditions: historically, from neolithic times; contemporary American Southwest Indian and Polynesian; and modern farming subcultures of European industrial societies. Asks how far agricultural life influences creative drama in agrarian societies.…

Describes the Dutch national system of creativity centers. Notes that these centers promote arts education by providing continuing education in the arts to the general public, by supporting in-school programs and by offering in-service programs for teachers. (MM)