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Hutchinson, P. William – 1977
Six months of observation--at two universities, at a drama festival, and with several independent theatre companies--form the basis for this evaluation of theatre in Kenya, Africa. While Kenyan dramas deal with a variety of themes, the majority are topical rather than universal in their treatment of issues. In many, the emphasis is on the…
Descriptors: Acting, African Culture, African Literature, Drama
Bogard, Travis, Ed. – Educational Theatre Journal, 1968
The conference reported here was attended by educators and theater professionals from 24 countries, grouped into five discussion sections. Summaries of the proceedings of the discussion groups, each followed by postscripts by individual participants who wished to amplify portions of the summary, are presented. The discussion groups and the editors…
Descriptors: Acoustical Environment, Acting, Audiences, Auditoriums
Caldwell, George – 1977
In theatrical production, skillful design is effective communication. A study of audience response to nine drama settings gives positive evidence that the successful designer creates "signposts and symbols" that communicate instantaneously to the observer. The setting is a message. All of the scenic elements must be unified in a clear and concise…
Descriptors: Aesthetic Education, Audiences, Communication (Thought Transfer), Design
Youngblood, Gene – 1970
Today, our environment is created more by television and cinema than by nature. Our view of what human nature is and might be is conditioned by what we see in those media. Films which make use of traditional genres only reinforce traditional views. They do not force us to new ones. But new filmmakers are creating "synaesthetic" cinema, which…
Descriptors: Animation, Audiences, Bionics, Computer Graphics