Designed to help the film student with the complexities of 16mm film cutting, this handbook catalogs the mechanical procedures of both picture and sound cutting and supplies step-by-step explanations of these procedures. Because the handbook was organized so that it could be used while working at the cutting bench, common cutting problems and…

Author provides suggestions which supply direction for making your own photographs of art work. (Author/RK)

The first few chapters of this book are devoted to an examination of the changing character of audiovisual materials; instructional design and the selection of media to serve specific objectives; and principles of perception, communication, and learning. Relevant research findings in the field are reviewed. The basic techniques of planning…

Part of a program to help teacher and student understand how film animation works, this illustrated handbook describes various kinds of animation and ways to produce such films. Preceding discussions of animation techniques is a brief section on filmmaking basics. Animation techniques described include animation without film, handmade films,…

This topical history of American films begins with an explanation of how movies work and describes the earlier American films from the nickelodeons through D.W. Griffith. The development of the studios and the major American films of the 1920's through the 1950's is treated largely in terms of important stars, like Mary Pickford, Charlie Chaplin,…

The intent of this book is to give a fairly precise idea of how much it costs to do various types of films and the way to go about making these films. It is a production manual, including all the information the serious filmmaker will need about the technical side of making movies. The emphasis throughout is on 16mm film, but differences that…

Most studies involving cinematographic analyses acknowledge the work of late 19th-century cinematographers and review current literature, but the significant "middle generation" of cinematographers are deleted. The contributions of Wallace O. Fenn, Herbert O. Elftman, Ruth B. Glassow, Ernst Jokl, and Thomas K. Cureton are highlighted.…

Seventeen steps are presented for the successful production of training films and video tapes. The steps include concept, script preparation, budget, filming and recording, laboratory processing, editing, titles and narration, sound mix, corrections, manufacture of prints, and distribution. (CT)

Examining a range of visual images of executions, both legal (the executions of convicted murderers) and extralegal (the lynchings of innocent African Americans), in still photographs and in Hollywood films, the authors suggest that while such images may flatten and neutralize the popular debates and politics surrounding the issues, this is not…

This article offers an activity which hopes to illustrate the variety of ways that the media are able to manipulate not just information but also societal understandings of critical issues and events and to connect disparate media and time periods via an activity extended over several weeks. The topic for which this series of activities was…

Intended as a reference for students in film and television, this guide for 1975-76 contains pertinent information on media courses in over 80 Canadian colleges and universities. The schools are arranged according to provinces and a complete description of individual course offerings is given. A listing of filmography monographs, and brief…

This student manual is part of a kit that is designed to teach the use of visual language as a means of communication and self-expression. It provides space for note-taking and information the student needs to execute the practice projects assigned by the teacher. Three appendices in it offer a glossary of terms, bibliography, and brainstorming…

The purpose of this book is to examine the nature of the narrative film in regard to those characteristics that distinguish this art form from the other narrative arts. Elements of the film medium are examined for their possibilities for cinematic expressiveness. The major procedures for shaping and organizing a cinematic narrative are discussed,…

Intended for use with the photographic materials available from the Workshop for Learning Things, Inc., this "camera cookbook" describes procedures that have been tried in classrooms and workshops and proven to be the most functional and inexpensive. Explicit starting off instructions--directions for exploring and loading the camera and for taking…