Television, video, and motion picture camera operators produce images that tell a story, inform or entertain an audience, or record an event. They use various cameras to shoot a wide range of material, including television series, news and sporting events, music videos, motion pictures, documentaries, and training sessions. Those who film or…

Part of a program to help teacher and student understand how film animation works, this illustrated handbook describes various kinds of animation and ways to produce such films. Preceding discussions of animation techniques is a brief section on filmmaking basics. Animation techniques described include animation without film, handmade films,…

The intent of this book is to give a fairly precise idea of how much it costs to do various types of films and the way to go about making these films. It is a production manual, including all the information the serious filmmaker will need about the technical side of making movies. The emphasis throughout is on 16mm film, but differences that…

The purpose of this book is to examine the nature of the narrative film in regard to those characteristics that distinguish this art form from the other narrative arts. Elements of the film medium are examined for their possibilities for cinematic expressiveness. The major procedures for shaping and organizing a cinematic narrative are discussed,…

How to develop film for classroom use. (HB)

Analyzes director Victor Seastrom's concern with aspects of "scene"--as reflection, motivation, and symbol-particularly in his 1928 production, "The Wind." (Author/RB)

For professionals and advanced amateurs, this book covers all aspects of editing 16 millimeter film. Beginning with basic matters of film gauge, equipment, and editing facilities, it covers the mechanics of the subject using a how-to-do-it approach. The techniques discussed include preparation of the sound track, cutting, mixing, choice of pace…

The amateur movie camera differs from a still camera on several important points. The author explores these differences and discusses the various ways they may be used to advantage. He describes in detail the workings of basic equipment--cameras, exposure meters, lenses, films, and lights--and demonstrates the proper use of each. Techniques such…

This collection includes essays by and interviews with more than 30 film-makers, both classic and contemporary, on the subjects of their major interests and procedures in making films. The directors are: Louis Lumiere, Cecil Hepworth, Edwin S. Porter, Mack Sennett, David W. Griffith, Robert Flaherty, Charles Chaplin, Eric von Stroheim, Dziga…

An industrial arts teacher tells how he set up a film unit using animation instead of live filming. The article includes storyboard and exposure sheet forms and photographs of students at work. (MF)

The program for which this instructor's manual was developed is designed to introduce students to the nature of animation and to give them some facility in animation production. This manual provides the teacher with additional resources and information to supplement what is offered to the student in his handbook (EM 011 290), and with direction in…

Short films are often experimental in nature. They can place aspects of the environment which are usually unnoticed in such a way as to sharpen our observations of the world, and "create a new awareness, a fuller sense of life and being." Based on the premise that visual literacy is becoming increasingly important, this book describes several…