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McKowen, Clark; Sparke, William – 1972
A montage of thought and comment on motion pictures is presented, from short articles to cartoons, quotes, poems, drawings and pictures. Included are descriptions of how movies are possible, techniques of filming and editing, criticisms, history, the effects of films on the people who watch them, and personalities of the people involved in films.…
Descriptors: Creativity, Film Production, Film Study, Films
Johnson, Ron; Bone, Jan – 1976
Designed to encourage moviegoers to become film viewers, this book divides the various aspects of film into the following chapters: "The Most Popular Art Form,""The World of Film,""Viewing the Film: The First Level of Understanding,""The Language of Film,""From Script to Film: A case Study,""Evaluating Film: 'Does It Work?""Evaluating Film:…
Descriptors: Aesthetic Education, Documentaries, Film Production, Film Production Specialists
Harpole, Charles H. – Filmmakers Newsletter, 1973
A study of past and current definitions of documentary film, rejecting those as too superficial, offering as a better definition one that demands examination of the internal evidence of films and remains aware of the ontological limitations of the medium. (CH)
Descriptors: Activism, Bias, Documentaries, Film Study
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Schoenheimer, H. P. – English in Australia, 1972
A plea and a case for an ethical dimension in curriculum planning.'' (Editor)
Descriptors: Communication (Thought Transfer), Curriculum Development, Educational Responsibility, English Curriculum
Roud, Richard – 1972
This book covers the life and aesthetic qualities of the work of the European film-maker Jean-Marie Straub (1933- ). It contains introductory chapters on the biography and artistic milieu of Straub and continues with a chapter-by-chapter critical treatment of each of his films: "Machorka-Muff"; "Not Reconciled"; "Chronicle…
Descriptors: Aesthetic Education, Audiovisual Communications, Auteurism, Film Production
Adams, Dennis; Hamm, Mary – Charles C. Thomas, Publisher, Ltd, 2006
The book is structured to provide teachers, parents, and other interested adults with ideas, issues, trends, and practical techniques for dealing with media and literacy. It sets out to examine the "new literacies" in today's technology-intensive world. The authors attempt to answer the question of what it will mean to be literate in the…
Descriptors: Teaching Methods, Internet, Numeracy, Information Technology
Schrievogel, Paul A.; Prete, Anthony T. – 1970
Bound in a slipcover rather than in signatures, this "book" is made up of thirteen separately bound booklets. The first booklet is an introduction to the use of film in the classroom both in teaching the filmic art and in increasing the visual literacy of students on the high school and early college levels. The twelve other booklets each treat a…
Descriptors: Audiovisual Communications, Film Study, Films, Higher Education
Franza, August – 1989
This student workbook provides information about mass media and invites students to consider and respond to that information. Students are encouraged to use reading, writing, researching, critical thinking, interpreting, and debating skills in their responses. The book is organized into 8 chapters: (1) "The World of Media"; (2) "Television: Is…
Descriptors: Advertising, Critical Thinking, Critical Viewing, Elementary Secondary Education
Sarris, Andrew – 1973
This book is a collection of essays by the author on film criticism. An auteurist and historical approach is taken to the primarily American films discussed. The essays are organized by basic theme: "Critical Credos and Causes,""Personal Styles,""Genres,""Politics,""Odes and Obits," and "Arts and Letters." Each essay centers either on an important…
Descriptors: Acting, Auteurism, Creative Expression, Film Criticism
Dickinson, Thorold – 1971
This brief history of the cinema surveys the birth, development, and modern period of silent and sound films. The approach seeks out major "auteurs" of film, discusses their more artistic works, and places them in historical perspective. Commentary on the aesthetic nature of film includes speculation on the relationship of sound to…
Descriptors: Aesthetic Education, Audiovisual Communications, Auteurism, Film Production Specialists
Rice, Susan, Ed.; Mukerji, Rose, Ed. – 1973
Because of the importance of television in the lives of our children--they spend more time with it than in school--it makes sense that they should learn to process the vast input from television and become knowing and active about the media. This collection of essays presents ideas by contributors outside of the "painfully vague conclusions of the…
Descriptors: Animation, Children, Creativity, Essays
Thwaites, Hal – 1993
This paper presents an overview of three-dimensional media technologies (3Dmt). Many of the new 3Dmt are the direct result of interactions of computing, communications, and imaging technologies. Computer graphics are particularly well suited to the creation of 3D images due to the high resolution and programmable nature of the current displays.…
Descriptors: Animation, Computer Graphics, Display Systems, Films
O'Grady, Gerald – 1975
Cinema emerged about 1900, and as the twentieth century ticked by, the cinematic process was recognized as a model for the thought processes of the human mind--of both the unconscious dream process and of the stream of conscious thought--and also as a model of the historical process. Film not only is an experiential process and a physical…
Descriptors: Communication (Thought Transfer), Cultural Influences, Film Libraries, Films
Kernan, Margot – 1973
The medium of film is uniquely suited to the representation of social problems such as racism. By stressing major issues of racism--slavery, the black cultural heritage, black power, and the black civil rights movement--and coupling these issues with films which give a realistic view of the substance and problems of racism, both concepts…
Descriptors: Aesthetic Education, Audiovisual Communications, Auteurism, Film Production
Fielding, Raymond – 1972
This book is a chronological history of the "newsreel" from its beginnings in 1889 to the collapse of the last newsreel production company in 1967. The newsreel is traced from its birth in the United States and France, through its flowering in the "March of Time" and other series, to its demise due to competition with televised…
Descriptors: Audiovisual Communications, Bulletins, Film Production, Film Production Specialists
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