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Arnheim, Rudolf1
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Arnheim, Rudolf – 1969
The thesis of this classic, the major part of which was originally published in 1933, is that the peculiar virtues of film as art derive from an exploitation of the limitations of the medium: the absence of sound, the absence of color, the lack of three-dimensional depth. Silent-film artists made virtues of these necessities and were on their way…
Descriptors: Art Appreciation, Art Expression, Film Production, Film Study