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Showing 61 to 75 of 132 results Save | Export
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Ladevich, Laurel – English Journal, 1974
The goals of visual literacy experiences are to give the student skill in "reading" visuals and in expressing himself and communicating through visuals. (JH)
Descriptors: Aesthetic Education, Bibliographies, Communication (Thought Transfer), Film Study
Foster, Harold M. – 1979
This book is intended as an aid for high school English teachers who want to understand visual literacy and learn how to teach it. The first part of the book defines and analyzes the basic structural devices used in filmmaking. The first chapter in this section discusses how the creative use of these devices--composition, lighting and color,…
Descriptors: Communication Skills, English Instruction, Film Study, Films
Green, Ann – 1978
Film and writing each resolve quite differently the problem of how to communicate. Still, film can demonstrate some underlying principles that are helpful to writers, especially those writers lacking understanding or skill in certain writing principles. There are at least five principles that both film and composition portray: the importance of…
Descriptors: English Instruction, Film Study, Higher Education, Secondary Education
Foster, Harold Mark – 1976
This study provides English teachers who teach, or plan to teach, film courses, with an analysis of the unique structural elements of film, suggestions for the teaching of a high school elective course on film, and activities that teach visual literacy skills. The first part of this study analyzes and defines visual literacy. Chapters provide…
Descriptors: Class Activities, Courses, Doctoral Dissertations, Elective Courses
Robinson, Deanna Compbell – 1974
This dissertation consists of four studies which identify some areas of difference between viewers who use the film medium in a personally profitable manner and those who use it less well. In Study 1 a theoretical definition of "film analyticity" is developed. An analytical film viewer is defined as an individual who (1) values the film medium for…
Descriptors: Attitudes, College Students, Communication (Thought Transfer), Educational Research
Schrievogel, Paul A.; Prete, Anthony T. – 1970
Bound in a slipcover rather than in signatures, this "book" is made up of thirteen separately bound booklets. The first booklet is an introduction to the use of film in the classroom both in teaching the filmic art and in increasing the visual literacy of students on the high school and early college levels. The twelve other booklets each treat a…
Descriptors: Audiovisual Communications, Film Study, Films, Higher Education
Goldman, Frederick; Burnett, Linda R. – 1971
Knowing how to read is a very important aid in accelerating mental activity and curiosity in children and thus opening up new regions of thought and experience--one of the broad goals of education. However, reading should not be defined solely in relation to print media. Other languages, such as film, can enrich the study of all humanities…
Descriptors: Cognitive Processes, Content Area Reading, Creative Thinking, Film Study
Allen, Don; Spetnagel, H. T. – Media and Methods, 1973
Discusses the educational value of the mass media and popular culture as reflective of our contemporary human condition. (DD)
Descriptors: Audiovisual Aids, Cultural Images, Educational Improvement, Educational Innovation
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Kirkton, Carole Masley – English Journal, 1971
Having argued that visual literacy looks toward and creates a different kind of learner, exposes the intricacies of a visual language and adds a new dimension to the definition of literature, the author presents several ERIC abstracts designed to help teachers focus on films. (Author/JB)
Descriptors: Audiovisual Communications, Drama, English Curriculum, English Instruction
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O'Rourke, Bill – English Journal, 1981
An argument for increased attention to visual literacy, both as a research topic and in the classroom. (RL)
Descriptors: Educational Needs, Film Study, Higher Education, Media Research
Lightcap, Torey L. – 1997
To raise the consciousness of adults regarding their mental and social processing of popular media, specifically movies, a course was implemented through a Colorado Episcopal parish's adult education program. The course was designed to show students how to better understand the ways in which their presuppositions create meaning in what they view…
Descriptors: Adult Education, Consciousness Raising, Course Descriptions, Critical Viewing
Messaris, Paul – 1991
Four different principles of visual manipulation constitute a minimal list of what a visually "literate" viewer should know about, but certain problems exist which are inherent in measuring viewers' awareness of each of them. The four principles are: (1) paraproxemics, or camera work which derives its effectiveness from an analogy to the…
Descriptors: Advertising, Audience Awareness, Audience Response, Communication Research
Messaris, Paul – 1987
The term "visual literacy" generally refers to the interpretation of the formal structure of film or television and carries with it the notion that the interpreter has knowledge of the use of camera angles, lighting, flashbacks, and so forth. However, many visual conventions encountered in movies or television may be interpreted even by…
Descriptors: Cognitive Ability, Editing, Film Study, Imagery
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Solomon, Stanley J. – College Composition and Communication, 1974
The study of perceptual genres offers opportunities for the treatment of films in a variety of course structures. (JH)
Descriptors: Curriculum Development, English Instruction, Film Study, Formal Criticism
Raburn, Josephine – 1980
Fifty-five Indian students between the ages of 16 and 22 years were selected from the junior and senior English classes at the Fort Sill Indian School to examine the effects of background music in helping lower socio-economic American Indians understand film content and in manipulating their emotions. This study also looked at how cognitive style…
Descriptors: American Indians, Cognitive Style, Emotional Response, Film Study
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