Suzhou Pingtan is a traditional Chinese opera originating from Suzhou, Jiangsu Province, known for its melodic tunes, storytelling, and expressive performances. The objective of this study was to explore the transmission process of Suzhou Pingtan Chinese Opera in Jiangsu, China, and its impact on education and literacy. This study utilizes a…

In a report commissioned by the Society for Music Analysis to address a gap in music literacy, McQueen (2020) identified instrumental teachers as an important part of music education both within schools and in the community. This article takes as a starting point McQueen's (2020) proposal that 'it is through instrumental tuition that music…

This article discusses the five-string kantele as an example of the Finnish national heritage, a school instrument and an example of sustainable design. A qualitative case study was made by collecting the data from the Finnish students--prospective teachers--and the sixth form pupils, who had designed and carved their own five-string kanteles. The…

The purpose of this study was to explore the phenomenon of adult music engagement from the perspectives of musically engaged adults not currently participating in activities that are direct extensions of the typical K-12 music curriculum. Three participants were purposefully chosen and include an avid listener, a church praise team member, and a…

As an educational media, radio has a long and complex history in the United States, but its most extensive and important use in education took place during the School of the Air (SOA) movement. From approximately 1929 to 1975, commercial broadcast networks, state universities and departments or colleges of education, and local school boards…

Phenomenology has been defined as "an approach to philosophy centering on analysis of the phenomena that flood (human) awareness" (Jorgenson, 1992), including the essences, meanings, and essentially necessary relations of these phenomena. In the last fifty years, an increasing number of writers have begun to examine the music-listening experience…

Designed to be used before and after attending a centennial performance of the music of African American composer William Grant Still, this cue sheet presents information about the performance. The cue sheet presents biographical information about Still and background information on the Lincoln Theatre in Washington, D.C., which had been closed…

The positive features of nonperformance programs such as general music and music appreciation should be communicated often and effectively to the community. There are many effective publicity media appropriate for nonperformance programs. (AM)

Interviews an elementary school teacher who leads a poetry writing workshop in which he uses classical music to help foster creative thinking and writing. Argues that students are more excited about the music and the writing than they would otherwise be about either. (SR)

Investigates the effects of age on musical preferences. Provides a brief review of the literature on this topic. Hypothesizes that the inverted-U curve will form the most general description of changes that occur with age in music preference. (RKM)

A model of music preference theory suggests ways that teachers can broaden their students' musical preferences. Teachers can change preferences by changing something in the listener, the social environment, the music, or the ways that the listener processes information. (AM)

This booklet includes a number of Chinese songs (with English translations) designed for use with a tape recording produced by the Ethnic Resource Center for the Pacific, Educational Foundations, University of Hawaii. A pronunciation key and a listing of cassette recordings of Chinese instrumental music are provided. (EB)

Music listening experiences have a role in the general music program. "Scanning" is Harry S. Broudy's approach to developing responsiveness to music's expressive qualities through music listening. (AM)

Discusses why the second national music assessment conducted by the National Assessment of Educational Progress found a slight decline in student music knowledge. Strengths and weaknesses of the assessment are described. (AM)

Describes ways teachers can exploit student knowledge and interest in pop music by drawing examples from it to illustrate music theory and appreciation concepts. The author contends that, when students receive a broad exposure to all kinds of musical types, they develop their own valid standards for good music. (AM)