Expressing the imagination dramatically is a step toward refining and shaping thought and behavior. Imagination is a part of the complex interaction of thought and action and has a place in the knowledge base. Drama is a direct expression of the imagination in action. In drama, the thought--the imaginings--are expressed in action and that action…

So long as arts programs restrict themselves to teaching skills of expression, they will not be considered necessary for anyone save prospective artists. The challenge is to produce a curriculum for all students in aesthetic impression--the cultivation of imagery and imagination. Aesthetic perception skills qualify as basic. (Author/SJL)

A series of studies involving deaf and hearing impaired children was conducted to assess imagination, originality, and abstract thinking. (Author/SBH)

Postulates that successful writing of all kinds depends on freeing the writer's imagination. Suggests techniques teachers can use to help students find their individual voice in writing, such as providing appropriate classroom proxemics, asking students to complete an evocative phrase, and having students critique each other's papers. (CJM)

An analysis is proposed which reduces the concept of imagination to certain logically distinct forms and modes of imagining. This analysis is related to contemporary definitions of the educated person. Implications for moral education are presented together with an examination of philosophies which oppose development of children's imagination.…

This study found that 24 children (age 7-16) with mental retardation and 30 normal children were similar in remembering which of a series of tasks they performed or only imagined performing. Performance was more accurate at an immediate interview compared to an interview eight weeks later, and children remembered activities performed better than…

Addresses the need for art teachers to help students develop an empathetic awareness for others. Describes moral-cognitive learning as a means for encouraging empathy where a connection between the students and teacher must be made while a connection between self and ideas is also necessary; imagination also affects students' ability to care. (CMK)

In the Education Commission Report #4 of Hong Kong, three dimensions of learning are noted: cognitive, interpersonal, and aesthetic. In most Hong Kong schools, teaching focuses on the cognitive dimension and to some extent on the interpersonal. The aesthetic dimension is largely ignored, except for the ubiquitous class reader and a handful of…

Techniques for encouraging personal writing in a non-threatening setting are discussed. (JH)

In spite of current sentiment to the contrary, the wellsprings of mathematics are not utility and relevance, but creativity, imagination, and an appreciation of the beauty of the subject. This has implications for the teaching of mathematics. (PK)

We have not learned to experience beauty as an essential, pervasive dimension of our actions. Aesthetic sensibility represents the child in us imbued with spontaneity, imagination, and unity of soul and action. This sensibility makes it possible to reevaluate the world in terms of metaphor, image, fantasy, and dreams. (PP)

Presents an edited transcript of a panel discussion entitled "Educating the Imagination" held to mark the twenty-fifth anniversary of Teachers and Writers Collaborative. Discusses fabulous lies in folk tales, definitions of "imagination," the role of the teacher, using slides of artwork to motivate students to write, and playwriting. (SR)

Examines majaor constituent ideas of education (from Durkheim, Plato, Rousseau, Dewey), suggesting that they are mutually incompatible and consequently result in an incoherent concept of education. Proposes an educational scheme that would develop the kinds of understanding developed in cultural history, which would require focus on imaginative…

Explores the type of school construction suitable for instruction that includes lectures, experiment, and creation. The philosophical bases of a triadic approach to learning that appeals to feeling, rationality, and imagination are considered. Four detailed diagrams portraying the author's concepts are included. (Contains four references.) (KRN)

Discusses the role of literature, or the arts, in society. Argues that literature enables people to interpret and shape their experience as humans; and transcends time and place and culture, helping people to re-view the past, interpret the present, and envision the future. (SR)