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Showing 106 to 120 of 390 results Save | Export
Johnson, Mark M. – Arts & Activities, 2003
Focuses on the exhibit, "The Artful Teapot: Twentieth Century Expressions from the Kamm Collection," that features artwork of teapots from the collection of Gloria and Sonny Kamm. Includes examples of the artwork and an itinerary for the exhibit. (CMK)
Descriptors: Art Education, Art Expression, Art History, Art Products
Hubbard, Guy – Arts & Activities, 2002
Provides background information on hunting in history and discusses the use of hunting as a subject matter for works of art. Includes examples of art work that have hunting as the subject matter and information on each work of art. (CMK)
Descriptors: Art, Art Education, Art Expression, Art History
Johnson, Mark M. – Arts & Activities, 2002
Provides background information on the life and career of Frederick Carl Frieseke, an artist who painted in the style of impressionism. Explains that this artist is the focus of a retrospective exhibition entitled, "Frederick Carl Frieseke: The Evolution of an American Impressionist" at the Telfair Museum of Art (Savannah, Georgia). (CMK)
Descriptors: Art Education, Art Expression, Art History, Artists
Peer reviewed Peer reviewed
Tollifson, Jerry – School Arts, 1990
Describes how the Ohio Department of Education developed its art curriculum, the Balanced Comprehensive Art Curriculum (BCAC). Going beyond the traditional studio art approach, the program requires students to respond and express themselves in three areas: personal development, artistic heritage, and art in society. (KM)
Descriptors: Art Appreciation, Art Education, Art History, Curriculum Design
Peer reviewed Peer reviewed
Ecker, David W. – Design for Arts in Education, 1990
States that a multicultural approach to education can fulfill children's need for cultural self-esteem, personal vision of a democratic society, and cultural understanding as a condition for world peace. Defines multicultural art education as participation in the artistic activity of another culture for the purpose of understanding that culture on…
Descriptors: Art, Art Education, Art History, Art Teachers
Peer reviewed Peer reviewed
Marschalek, Douglas – Art Education, 1991
Describes a computer system in which art reproductions are described and entered into a database containing 27 categories of information. Named the Visual Art Index System (VIAS), its underlying structure is influenced by contemporary models of aesthetics and art criticism. Maintains that the database and laserdisk can effect teaching methodology,…
Descriptors: Art Criticism, Art Education, Art History, Artists
Peer reviewed Peer reviewed
Hollowell, Bay; And Others – Art Education, 1991
Provides four art portraits from various sources to help students question reality and the roles people play in society. Includes background information on the artists, historical contexts, visual analyses, and vocabulary lists. Outlines art and reading assignments for all age groups. (KM)
Descriptors: Art Criticism, Art Education, Art History, Art Teachers
Peer reviewed Peer reviewed
Sylva, Ron – Art Education, 1993
Maintains that teaching the creation of art can be lost in the emphasis on discipline-based art education. Argues that much of art education is studying the art of others or the concepts and principles that can be derived from others. Contends that the process of personally creating art must be revived as an integral part of art education. (CFR)
Descriptors: Art Appreciation, Art Education, Art Expression, Art History
Meilach, Dona Z. – Arts & Activities, 2001
States that Prague, the capital of the Czech-Republic, is a virtual art museum because of the number of architectural styles and other artworks throughout the city. Explores the various architectural styles that are present in the city from the Gothic monasteries and churches to examples of contemporary styles. (CMK)
Descriptors: Aesthetic Values, Architecture, Art, Art Education
Johnson, Mark M. – Arts & Activities, 2000
Focuses on the exhibition titled "American Modern, 1925-1940: Design for a New Age" that documents the efforts and achievements of the United States in the area of design arts. States that the exhibition features more than 150 objects, including furniture, posters, and radios, by leading designers of the early and mid century. (CMK)
Descriptors: Aesthetic Values, Art Education, Art History, Art Products
Johnson, Mark M. – Arts & Activities, 2001
Features the artist David Bierk, who uses three subject areas in his paintings: (1) landscapes; (2) still lifes; and (3) "history paintings." Explains that Bierk abstracts and adapts these subjects to create personal tributes to artworks by famous artists. (CMK)
Descriptors: Art Education, Art Expression, Art History, Art Products
Hubbard, Guy – Arts & Activities, 2000
Provides information on the Group of Seven, a famous group of Canadian landscape painters, of which Arthur Lismer is a member artist. Includes activities that accompany Lismer's painting "Isles of Spruce," which is reproduced here. Discusses the painting, noting its use of repetition. (CMK)
Descriptors: Art Education, Art Expression, Art History, Art Products
J.B. Speed Art Museum, Louisville, KY. – 1991
This classroom resource kit contains a presentation for 12 slides representing artworks found in the permanent collection of the J. B. Speed Art Museum (Kentucky), a teacher's manual, and an evaluation sheet. The printed document provides critical insight into the artworks and their historical era by investigating the materials and technical…
Descriptors: Art, Art Criticism, Art Education, Art History
J.B. Speed Art Museum, Louisville, KY. – 1991
Abstract expressionism was the first art movement of international importance to have its roots in the United States. This movement stressed the role of art as a method of individual expression. Abstract expressionist paintings are usually non-representational and some elements of their production have been left to chance. Individual artist's…
Descriptors: Art, Art Criticism, Art Education, Art History
Chanda, Jacqueline – 1990
Three different models for the teaching of African art are presented in this paper. A comparison of the differences between the approaches of Western art historians and African art historians informs the articulation of the three models--an approach for determining style, another for dealing with analysis, and a third for synthetic interpretation.…
Descriptors: African Culture, Art, Art Education, Art History
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