Discusses the rules for two theater games that train students to focus on objectives: (1) Time Bomb, in which students must maintain eye contact with the instructor, or the instructor will "blow up"; (2) Red Light, Green Light, which may be used with younger students--the object is to tag the person who is "it." (PA)

Discusses the significance of the Goals 2000: Educate America Act for theater and other arts educators. Presents comments of several theater education teachers, leaders, and arts advocates regarding the enactment of Goals 2000. (RS)

Suggested resources are offered for developing a performing arts curriculum with students having hearing impairments. Resources include the National Standards for Arts Education, data banks of the Arizona State University Department of Theater and Very Special Arts, and books containing specific arts class activities. (DB)

Presents guidelines for general and theater specialist K-12 teacher certification developed by the American Alliance for Theatre Education and the Speech Communication Association. Advocates that all teachers have preparation in arts and communication and that theater and communication specialists continue to be trained. (SR)

Describes a high school theater arts program in California which involves elementary and middle school students in the high school's annual musical. Discusses how to deal with the extra work of including younger children in the musical production and the numerous advantages of doing so. (SR)

Describes the childhood experience of seeing the play "The Rainmaker," and its lifelong effect on the author, and other personal experience stories. Suggests that theater teachers should share stories of their positive teaching experiences with their fellow teachers. Promotes personal storytelling as a part of drama-teacher preparation. (CR)

Examines the invisible incorporation of constructions from the Victorian and Progressive eras regarding children, women, and theatre art, into the field of child drama. Discusses child drama as a moral calling; women and the gendered status of child drama; child drama as an amateur field; child drama as education in democracy; and the construction…

Applies feminist dramatic criticism to the texts of 18 plays produced in the 1994-1995 season by three preeminent Theatre for Young Audiences companies. Finds a high proportion of characters who do not display typical gender-role stereotyping, but finds that most female characters are objects of adult exchange who rarely have power. Discusses four…

Presents a case study of how a group of theatre artists and educators (the Lakeview Education and Arts Partnership) used the arts to motivate and engage students in four public schools in Chicago, Illinois. Describes how teachers and artists infused the arts into academics. (RS)

Offers reflections on how people share their cultures as they enter the new millennium, based on the author's two trips to Asia where she lectured and led drama workshops on drama education and theater for youth. Outlines seven steps to take toward reaching goals in the field of theater for young audiences and drama/theater education. (SR)

Shares results of a survey investigating the practices of theaters in the United States which focus on working with young performers (their goals, staffing, classes, auditions, affiliations, budget, and practices regarding student empowerment, diversity, and gender) and compares results with those from the 1983 survey. Offers a glimpse of four…

Focuses on the origin and history of Guignol, including the classic repertoire and its character types, and on suggested techniques for teaching with the authentic Guignol in the French classroom. Guignol can be used effectively in the classroom because the French teacher-marionnettiste has only to improvise the scenarios according to the needs of…

Describes a fund raising project, the "palette of prizes," to raise money for theatre for children in Blair County, Pennsylvania. Discusses creation of theater presentations involving nearly the entire student body. Suggests 11 lessons for other communities interested in using Blair County's arts education programming as a model. Discusses…

This literature review is an essential resource for anyone involved in the research, theories, or methods and practices of arts integration. It covers what has been written between 1995 and 2007 in the U.S. and abroad and includes an historical overview, definitions and theoretical frameworks for arts integration, research and evaluation studies…

This anthology of literature contains selections that can be performed in classrooms, workshops, and speech and theater conventions as reader's theater, defined as a dramatic approach to literature. Divided into six categories--comedy, mystery/suspense, Christmas specials, folklore, children's classics, and the human spirit--the anthology features…