Publication Date
In 2025 | 0 |
Since 2024 | 0 |
Since 2021 (last 5 years) | 1 |
Since 2016 (last 10 years) | 1 |
Since 2006 (last 20 years) | 8 |
Descriptor
Art History | 390 |
Elementary Secondary Education | 390 |
Art Education | 357 |
Visual Arts | 123 |
Artists | 113 |
Art Activities | 92 |
Art Criticism | 89 |
Aesthetic Education | 88 |
Art Appreciation | 88 |
Art Expression | 83 |
Curriculum Development | 71 |
More ▼ |
Source
Author
Publication Type
Education Level
Elementary Secondary Education | 8 |
Higher Education | 2 |
Postsecondary Education | 2 |
Elementary Education | 1 |
Middle Schools | 1 |
Audience
Practitioners | 191 |
Teachers | 179 |
Students | 24 |
Administrators | 22 |
Researchers | 12 |
Parents | 7 |
Media Staff | 5 |
Policymakers | 1 |
Location
Africa | 8 |
Canada | 7 |
United Kingdom (Great Britain) | 5 |
Australia | 4 |
China | 4 |
Japan | 4 |
Mexico | 4 |
Netherlands | 4 |
Asia | 3 |
Kentucky (Louisville) | 3 |
Peru | 3 |
More ▼ |
Laws, Policies, & Programs
No Child Left Behind Act 2001 | 1 |
Assessments and Surveys
National Assessment of… | 3 |
What Works Clearinghouse Rating

Nadaner, Dan – Studies in Art Education, 1984
The sociological critique of meaning in art has implications for art education programs. What art educators teach about how to make and respond to art needs to be revised. A socially informed approach to representation is needed, and social values and meanings are necessary to an adequate art criticism. (RM)
Descriptors: Art, Art Education, Art Expression, Art History
Greer, W. Dwaine – 1997
This book presents the ideas and premises that define the reformation called discipline-based art education, or DBAE. The volume identifies the contexts of art education that influenced this reformation and attempts to offer compelling reasons why art should function as a "basic" in the core discipline in education. The chapters in the…
Descriptors: Aesthetics, Art, Art Appreciation, Art Criticism

Copeland, Betty D. – Art Education, 1983
Discusses the contents of typical art education learning packages. Those of the Central Midwestern Regional Laboratories (CEMREL) are designed to heighten student involvement through use of media. Other packages focus on art history, art appreciation, and arts and crafts activity. A package has also been developed for special education students.…
Descriptors: Aesthetic Education, Art Appreciation, Art Education, Art History

Miller, Phyllis K. – Art Education, 1983
Many students leave high school with little knowledge of our artistic heritage. While this is partly because of low exposure to art classes, another reason can be found in the lack of training in art history among art teachers. Recommendations for increased training in art history are made. (IS)
Descriptors: Art Education, Art History, Curriculum Development, Educational Change

Boehm, Gottfried – Zeitschrift fur Padagogik, 1990
Explores the difficulties of combining aesthetic experience and educational settings. Postulates this is due to the nature of aesthetic experience as well as the art object itself. Argues that art metaphorically discusses not what is, but what develops and implies a relativistic, adaptive, temporal concept of truth. (CH)
Descriptors: Aesthetic Education, Aesthetic Values, Art History, Art Products

Cappetta, Ann – School Arts, 1990
Describes how creative book craft can be used to teach art history and appreciation, creative visual experience, and writing opportunities for all students. Outlines how students can create decorative papers and bind them into personal folders. (KM)
Descriptors: Art Activities, Art Appreciation, Art Education, Art History

Honeychurch, Kenn Gardner – Studies in Art Education, 1995
Argues for the inclusion of considerations of sexual identity in art education. Maintains that sexual identity is an integral part of the contextual understanding of a work of art. Asserts that a dominant heterosexual ideology has created innate biases reflected in supposedly objective criteria. (MJP)
Descriptors: Art Education, Art History, Cultural Differences, Elementary Secondary Education

Ryan, Margaret W. – School Arts, 1990
Describes the origins of the Peruvian Nazca Indians double-spouted jugs. Provides a lesson plan so students can create their own double-spouted jugs. (KM)
Descriptors: Art Activities, Art Appreciation, Art Education, Art Expression

Chanda, Jacqueline – Art Education, 1998
Explores how three inquiry processes (iconology, iconography, and social art history) can enable art educators to develop interesting and relevant teaching approaches for the study of art. Gives examples of how the inquiry processes could be used in the art classroom. Explains that through inquiry methods, art historical understanding may be…
Descriptors: Aesthetic Values, Art Appreciation, Art Education, Art History
Sartorius, Tara Cady – Arts & Activities, 2000
Provides information on china painting, focusing on Kurt Weiser, who paints on ceramics using china paints. Discusses his techniques and describes his work titled "Woman with Mongoose." Includes accompanying projects for art history, visual arts, language arts, natural science, and science or mathematics. (CMK)
Descriptors: Art Education, Art History, Artists, Ceramics
Hamwi, Richard – Arts & Activities, 2001
Focuses on the pointillist painting process offering background information about technique and how it can be used in the art classroom. Explores the appropriateness of the process for elementary through secondary school students. Includes educational objectives. (CMK)
Descriptors: Art Education, Art History, Art Materials, Educational Objectives
Sartorius, Tara Cady – Arts & Activities, 2003
Provides a description of the artwork entitled "Genesis" while also discussing the life and career of artist, William Zorach. Includes activities in subject areas, such as language arts, science, and social studies, and offers Internet resources. (CMK)
Descriptors: Art Education, Art Expression, Art History, Artists
Asian Art Museum of San Francisco, CA. – 1992
Brushwork is the essential characteristic of Chinese painting. Ink and brushwork provide the foundation of Chinese pictures, even when color also is used. In the quality of the brushwork the artist captures the spirit resonance, the raison d'etre of a painting. In China, painting and writing developed hand in hand, sharing the same tools and…
Descriptors: Art, Art Education, Art History, Chinese Culture
J.B. Speed Art Museum, Louisville, KY. – 1991
There are many ways to approach the investigation of architecture. One can look at structural form, climate and topography, the aesthetics of style and decoration, building function, historical factors, cultural meanings, or technology and techniques associated with construction. This resource kit touches upon a few of these approaches, ranging…
Descriptors: Architects, Architectural Character, Architectural Education, Architecture
Getty Center for Education in the Arts, Los Angeles, CA. – 1993
This publication contains proceedings of a seminar structured around five basic themes: (1) cultural diversity in education; (2) discipline based art education (DBAE) and cultural diversity; (3) how cultural diversity has affected practices in art history, aesthetics, criticism, and art making; (4) experiences in other disciplines which effect…
Descriptors: Aesthetic Education, Art Criticism, Art Education, Art History