Considers ways to support the value of theater education by presenting the value of curriculum mapping. Presents a sample curriculum map for an introductory theater class. Concludes that curriculum mapping can improve students' performance by defining the strengths and weaknesses of the program so the instruction and assessment can be revised. (SC)

As educators of gifted students, the authors see more schools climbing aboard the differentiation wagon, and students who have been identified as cognitively gifted receiving services beyond logic worksheets. Everyone still has a long way to go, however. As classroom teachers become more familiar with characteristics of giftedness and begin to…

This bibliography, organized in six sections, provides a comprehensive overview of Canadian arts education resources for use with dramatic arts students. (1) "Titles and Descriptions" and (2) "Out of Print Resource" provide information, sources, and annotations for alphabetically arranged items. (3) "Author Index" is…

Music educators are informed of the applications of the 1976 revision of the United States copyright law to the use of sheet music, audiovisual recordings, and dramatic and choreographic works. Material is divided into five sections. Section 1 outlines the primary rights of copyright holders with regard to phonorecords, derivative works,…

Attempts to bridge the gap between theater professionals and classroom teachers by annotating some books about theater, including "Scenes: The Unseen People Who Make Theatre Work," which may be used with children of various ages. (MM)

The Appel Farm Arts and Music Center is the setting for an international summer arts camp for children 6-18 years old who are gifted in the arts. The camp is described in terms of its beginnings, tuition and scholarships, and staffing. (CL)

The 21 plays in this international anthology for young people range through the classic, modern, and contemporary periods. Several of the plays are translations from other languages, and all begin with an explanatory introduction and contain basic stage directions. The anthology contains plays by Moliere, August Strindberg, Gertrude Stein,…

With five basic exercises presented in this paper as a guide, instructors and students can gain an immediate awareness of the performance and staging principles in Reader's Theatre which may be used creatively to visualize literature so that it becomes "alive" in the imagination of the readers as well as the listener. The paper begins…

This performance guide is designed for teachers to use with students before and after a performance of "Little Women," adapted for the stage by Paulette Laufer and based on the novel by Louisa May Alcott. The guide, called a "Cuesheet," contains seven activity sheets for use in class, addressing: (1) From Novel to Stage Play…

This performance guide is designed for teachers to use with students before and after a performance of "Black Nativity," a play about the birth of Jesus, celebrated in the tradition of African-American culture and with gospel music at its heart. The guide, called a "Cuesheet," contains three sheets for use in class, addressing:…

The requirements for gifted education programs in the visual and performing arts are discussed, stressing the need for comprehensive assessment of aptitude, achievement, and attitudes of gifted students. The unique nature of learning activities and inservice programs for teachers in the arts are considered. (CM)

The author suggests some approaches for facilitating the imagination and imagery activity essential to creative production in the visual and performing arts. Literature is reviewed on creative imagination imagery, the function of imagery, perception imagery and art, abilities and the visual performing arts, and facilitating the use of imagery.…

Examines contexts out of which federal youth arts funding emerged, and discusses federal youth arts programs during the Nixon and Carter presidential administrations when youth arts were formalized through the Department of Education arts-in-education programs, and subsequently through programs with other federal agencies. Discusses contemporary…

Describes the Los Angeles Theatre Center's program, "Theatre as a Learning Tool," which brings students from diverse socioeconomic, cultural, and educational backgrounds to see fully staged theatrical productions. Notes that the program integrates the plays into daily lesson plans in reading, writing, critical thinking, and communication…

Discusses the role of computers in the drama classroom, considering advantages and disadvantages. Suggests possible computer applications to achieve goals in three areas: thinking skills, creativity, and drama. (SR)