An art-teacher therapist discusses six principles she uses in working with disturbed children (such as consistency of management and clearly defined expectations and limits), and cites two examples of how an art project can help children develop trust and lessen their withdrawal. (CL)

Describes an art exhibit in the Delaware Art Museum designed to give children physical, aesthetic experiences with light, motion, sound, and space. The exhibit used electronic sculptures to create an environment in which children could see their voices and body energies projected in light forms. (AM)

Describes the Museum in the Schools program in Ithaca, New York. Elementary and secondary classes participate in two workshops, one held in school and one in the museum, introducing students to art and its relationship to other subjects. Details of workshops for a high school ceramics class are included. (AM)

Describes a combined local history/printmaking project conducted by students in grades one through nine at Armitage Academy in Kenosha, Wisconsin. Students studied and drew local buildings and printed the results as a calendar. (SJL)

Five articles describe techniques of mural making and mural projects which have been accomplished by elementary and secondary students, including a class of blind and partially sighted children. (SJL)

Describes the functions, styles, and methods of creating medieval tapestries. Illustrates a narrative tapestry titled "The Prophecy of Nathan," attributed to Master Philip. Describes how textile artists' personal styles can be recognized. Suggests art activities for elementary and secondary students. (KM)

Examines the community mural movement as an educational activity, reviewing the history of the modern mural movement, noting its democratic direction, and concluding that community murals can potentially educate artists and nonartists. Modern murals have demonstrated a vast capacity to expand awareness of the struggles of oppressed people. (SM)

Discusses the benefits of presenting art professionals to gifted students through an artist-in-residence program. Describes how the program can enhance the art education curriculum by integrating skills from subject areas such as business, mathematics, and language arts when the artist presents the process involved with commissioned work. (CR)

John Singleton Copley was virtually self-taught yet became the greatest painter in eighteenth-century America. By the age of eighteen he had become a highly sought portrait painter. His paintings held a good likeness and a pleasing reflection of his sitters' wealth and social aspirations. Copley's dazzling technique and his knowledge of the latest…

Describes an introductory fiber arts unit for children and university students based on weaving the traditional Scottish tartan plaid on the floor or table loom. Concludes that the tartan plaid presents students with a satisfying artistic medium which can be mastered by all age levels. (GEA)

The Appel Farm Arts and Music Center is the setting for an international summer arts camp for children 6-18 years old who are gifted in the arts. The camp is described in terms of its beginnings, tuition and scholarships, and staffing. (CL)

Describes the advantages of displaying children's art in public places and focuses particularly on such activities in New York City. Includes examples of student art. (KH)

This paper seeks to bridge two United Nations Educational, Scientific, and Cultural Organization (UNESCO) themes in education: learning to know and learning to do. The paper discusses the place of each theme in art education, interpretting "learning to know" as art's reflective component and "learning to do" as art's productive…

This student activities booklet, "Quilts of Alaska," contains historical and educational information on quilts. It is colorfully illustrated with examples of different types of quilts. The booklet describes album or signature quilts, which from 1840 to the 1890s, were a U.S. fad, such as were autograph albums. As the name suggests, these…

This paper examines the role of visual arts in student creativity development and gives guidelines for using a comprehensive visual arts program which can foster interdisciplinary connections throughout the curriculum. Sections of the paper include: (1) "Visual Arts in Education"; (2) "Visual Arts is a Way to..."; (3)…