The National Conference is the National Dance Education Organization's (NDEO) flagship program, bringing together longtime and new members, seasoned professionals and college students, and dance educators from every sector and a wide range of dance genres. NDEO's National Conference is unique among other dance education summits and professional…

As a result of decades-long dwindling arts funding sources, U.S. nonprofit dance companies struggle to emerge and be sustained. However, mutually beneficial relationships are often developed between nonprofit dance companies and educational institutions such as K-12 schools, universities, and private studios. These relationships enhance students'…

Dance as an academic endeavor has held a place in higher education since 1926. From its beginnings as a major of study under a department of physical education, dance in academia moved into departments of fine arts and flourished as an expressive art form in the mid to late 20th century. In the 1990s, dance in K12 education similarly moved from…

The "Dance Entry Level Teacher Assessment" (DELTA) measures pedagogical content knowledge and subject-specific content knowledge in dance. Created and administered jointly by the National Dance Education Organization and the State Education Agency Directors of Arts Education, DELTA represents a first step toward reaching national…

Dance education in American schools from P-12 through higher education are affected by the pervasive reach of Whiteness. Well-intentioned and passionate dance educators feel the effects of and are instrumental in the institutions Whiteness has reified in the American educational system. In order to dismantle inequity and marginalization of Black…

From an administrative perspective, this article investigates equity issues in dance education, and current challenges and opportunities for leadership in postsecondary dance programs involved in teacher education and certification. Although dance education is varied in content and environment, much is shared in terms of common goals for gender…

In the popular media, American cultural, educational, and political life is portrayed as ideologically split down the middle. The split is often framed in terms of opposites by using the ideas and labels addressed by the author in this paper--traditional versus nontraditional, experiment versus the status quo, diversity versus homogeneity, change…

Addresses pragmatic aspects of somatics in the public sector, investigating the fit of somatics within various institutions and settings, including universities, professional schools, and community programs. The article explores issues such as somatic movement approaches, certification, academic degrees in somatic study, confusions within the…

This paper presents state-by-state requirements for dance teacher licensure in the following states: Arizona, Florida, Massachusetts, Michigan, Minnesota, Mississippi, New York, North Carolina, Rhode Island, Texas, Utah, Vermont, Virginia, and Wisconsin. Each listing includes information on address, telephone number, e-mail and/or Web site, and…

This paper by the National Dance Association's 2002 Scholar/Artist presents his perspective on traditional modes of performance, choreography, and preservation, touching on emerging technological trends through movement inscription. It focuses on: his introduction to formal training; his classical ballet mentor, Bill Christensen; his lack of…

Discusses the great diversity and lack of consistency in dance teacher preparation and certification programs, examining K-12 licensure (state certification, vocational certification, and endorsement); certification of private studios and schools of dance (certification and registry); current progress toward certification; and the five-phase…

Past and present approaches to dance education are explored in this article. Major concerns for consideration in the future of dance education include goals and directions, curriculum and standards, scholarly research and publication, and the role of the professional organization. (DF)

Reviews the contributions of Gardner's Theory of Multiple Intelligences (MI) to dance education by placing MI theory in the context of historical perspectives on intelligences and examining the assumptions behind traditional models of intelligence and some of the more recent pluralistic approaches. The paper reviews the principal tenets of MI…

This kit, which includes a workbook and a companion CD-ROM, is designed to help dancers develop a better understanding of musical time and phrasing, two concepts that directly correspond with dancers' activities. These materials provide an interdisciplinary approach that bridges the perceptual barrier between dancers and musicians by explaining…

This paper describes an improvisational dance model that analyzes verbs and adverbs in terms of their movement essence and yields a unique group dance using dancers of any age or experience. Essence dance uses word cards to build a dance. Each word (verb or adverb) suggests a movement or use of the body. The teacher begins by charting a piece of…