Lord Clark, the renowned British art historian, feels there are too many children in picture galleries and suspects they are brought there to fill in the curriculum. He considers three aims of education and how children can more fully understand the value of works of art. (Editor/RK)

Presents the fundamental principles of the Getty Center and surveys its activities. Premises are that study of the arts is a principal means of understanding human experience and transmitting cultural values and that arts education should include aesthetic perception, art history, and art criticism, along with creative activities. (MJL)

The focus of this teacher's packet is the bronze vessels made for the kings and great families of the early Chinese dynasties between 1700 B.C. and 200 A.D. The materials in the guide are intended for use by teachers and students visiting the exhibition, "The Arts of China," at the Arthur M. Sackler Gallery of the Smithsonian Institution…

This guide and accompanying videotape are the fifth and final in a series that present full lessons and interviews with the instructors who created the lessons. Intended as starting points to stimulate thinking about a comprehensive approach to art education, these instructors discuss how they developed their lessons and how this approach has…

The intent of this document is to provide local school districts with a guide to current knowledge in the visual arts, such that by using the guide, districts should be able to develop their own curriculum documents tailored to the needs of their students. The basic premise of the guide is that each student in the state of Arizona should have…

This book brings together British and U.S. contributions to the debate of a critical studies approach to art and design education. The approach links practice and appreciation. But critical differences exist in definitions of the term design, with the U.S. recognition of design as the use of principles and elements of art in works and a British…