This case study is one of twenty cases derived from Anderson and Risner's international study of teaching artists in dance, and theatre, which investigated participants' (n=172) artistic and academic preparation in dance, and theatre, initial entry into the teaching artist field, rewards, challenges, and obstacles in participants' work, artists'…

This collection of abstracts is part of a continuing series providing information on recent doctoral dissertations. The seven titles deal with the following topics: (1) the effect of relaxation training on anxiety for the poetry recitation tasks among elementary school children; (2) musical theatre in higher education; (3) developing faith…

This collection of abstracts is part of a continuing series providing information on recent doctoral dissertations. The 12 titles deal with the following topics: (1) awareness of self, awareness of environment, mental imagery, communicative competency, and theatrical improvisation; (2) the evolution of scenography in the Western theatre; (3)…

During the 1950s, when it first began, Readers Theatre was textual in its emphasis; it involved the group reading of literature and the staging of poems and poets' stories, essays, and scenes. In its second stage, during the sixties, Readers Theatre became a directors' art; it was the director who adapted and arranged the literature and whose…

Synthesizes teachers' evaluations of university productions of theater for children from 1977 to 1995 by analyzing emergent themes and common factors among teachers' perceptions across play content. Compares teachers' interpretations of their students' experiences with children's responses to selected plays to help explain similar and discrepant…

Describes Holy Names College's Children's Theatre program for children in underprivileged areas. The program consists of a "What-to-Look-for-in-a-Play" demonstration, the production itself, and creative dramatics sessions arising from the demonstration and production. (DMM)

Surveys four-year college and university theater departments on the status of child drama programs in the U.S., including child drama academic programs and children's theater productions. Includes specific responses of schools offering degrees or emphases in child drama. (SR)

Looks at the differing production choices and dramatic methods endorsed by two settlement workers, Alice Minnie Hets and Lillian Wald, as witnessed in the opening productions of their settlement houses, where the dramatic arts were among the tools used by social workers to help fledging citizens adopt American ways. (SR)

Presents an interview with Ruth Beall Heinig, author of "Creative Drama for the Classroom Teacher," about her role as a teacher of creative drama and as a teacher-educator preparing teachers to use creative drama. Describes the development of her career in creative drama. Offers information on books about the subject written by other authors. (CR)

The nature of collegiate theatre programs and possible future activities in theatre programs are examined, along with information about the Indiana Commission for Higher Education, higher education and demography in Indiana, and higher education and social change nationally. It is suggested that the changes in demographics that affect college…

Presents a case study of the way in which one preservice male teacher of color constructed his drama work with culturally diverse elementary school children. Identifies three key dimensions in his perspective on teaching that center around being a caring teacher who knows his students, balances motivation and discipline, and implements a…

A study explored perceived reality and developmental differences in viewing theater. Subjects, 33 second graders, 33 fourth graders, 23 sixth graders, and 23 college students viewed a production of "This Is Not a Pipe Dream," a non-representational play based on biographical facts about the early life and work of the surrealist painter…

Presents a project that involved the theater and social work departments of the University of South Dakota. The program's success depended on community acceptance, training for the local school teachers, presentation of the selected play, and careful classroom follow-up. (Author/BB)

Appropriate for elementary methods courses in Arts and Language Arts, this book extends traditional language arts content by offering multiple communicative channels for expressing, representing, and responding to ideas. It equips teachers with ways to maximize children's creative potential and critical literacy through activities involving "the…