This performance guide is designed for teachers to use with students before and after a performance of "The Nightingale," a dance-theater performance conceived and choreographed by Dana Tai Soon Burgess, written and directed by Mary Hall Surface, and adapted from the story by Hans Christian Andersen. The guide, called a…

The effect of lecture-demonstrations and workshops on changing elementary school children's attitudes toward drama (acting), music, dance and opera is the focus of this experimental report. Three self-report interest scales and a peer interest rating were administered in a pretest post-test format. The results indicated only slight attitude change…

A model performing arts program (The Arts from the Inside Out) for gifted and talented elementary students at the Robert Blair Pollock Elementary School in Philadelphia (PA), provides children with first-hand backstage experience with opera, music, dance, drama, filmmaking, and architecture. (CL)

This book embodies the concept that the dynamic interplay of experiences and activities remains part of the child's functioning throughout life and that it is the role of adults to establish, where they can, the forms of activity in which children will engage. The chapters describe various contents for such activities and discuss how adults can…

Describes a "lunch theater" project implemented at Hampstead Central School in Hampstead, New Hampshire. Groups of first through fourth graders rehearsed and performed songs, dances, magic, comedy, gymnastics, and student-written skits during their respective lunch periods for an audience of fellow students, staff, and teachers. Students…

Responds to "Toward Civilization, A Report on Arts Education" by the National Endowment for the Arts, published in May, 1988. Examines implications of the report for drama education as part of the curriculum in elementary school, focusing on the purposes of understanding civilization and developing aesthetic literacy in drama. (MM)

Describes the development, production, and performance of "Harvest Ceremony: Beyond the Thanksgiving Myth," a museum theatre piece performed annually at the Smithsonian's National Museum of the American Indian's Gustav Heye Center. Notes that the play gives the audience a fresh perspective on the first Thanksgiving from the Native point…

Stimulating and enjoyable dramatic activities in the classroom can nurture children's natural sympathies with drama. Re-acting a portion of a second-rate television show can help children become more perceptive critics and prepare them to view better drama that the teacher could bring to the classroom. Free, creative rhythmic movement allows…

This elementary core curriculum is written to communicate what students are expected to know and be able to do in dance, music, theater, and visual arts in the state of Utah. The curriculum provides the basis for professionalism and accountability for teachers, and defines the expectations and achievement standards for students. The Utah core…

This book describes the results of the Artists-in-Schools project sponsored by the National Endowment for the Arts and the Office of Education. Included are the background and goals for the project and a discussion of visual arts and music programs in Alabama; poetry and theatre in Minnesota; poetry in Wyoming; dance, architecture, and…

These guidelines for grades K-12 are designed to aid the curriculum planner in writing programs, courses, and units of instruction for aesthetic education in the schools. They provide (1) a foundation for curriculum development, which presents a concept of aesthetic experience and identifies the general goal of aesthetic education, (2) an…

This booklet provides parents with practical ways to introduce their children to the arts with the continuous message to encourage children to imagine. This book revises and updates the earlier publication "Three Rs for the '90s." Following the foreword by Robert Coles and an introduction by Jane Alexander, the chapters include: (1) "Dance and…

Artist-teachers, administrators, and other educators will find the elementary and secondary guidelines useful in formulating the objectives and methods of teaching the performing arts. The underlying assumption is that providing children with opportunities to observe, listen, and react to exciting performances leads to educational experiences,…

The Hebrew Arts School in New York City teaches music, dance, art, and theater to children four through eighteen. Founded in 1952, its emphasis is on choosing instruments and programs suited to the individual, and on preserving the instinctive joy of music making. (CS)

The District of Columbia's Multi-Arts Service Program, in its third year of implementation (1984-85), is a multi-disciplinary program in music, dance, theater, and visual arts. The program's primary objectives are to (1) increase student awareness of the arts through assemblies, (2) increase student interest in the arts through…