Innovation and learning come together in a vibrant manner during dynamic arts education classes led by teachers who understand the importance of collaboration and student improvisation.

The aim of this participant observation was to understand the efficacy of a modified International Baccalaureate Primary Years Program for fourth-graders at a public school with a large percentage of language and socioeconomically disadvantaged students. Data collection over a five-month period concentrated on teaching interactions including…

What is happening in arts teaching and learning in our classrooms? Recent NEMP reports tell us that Year 4 students are not performing well but that there is an increase in scores at Year 8. This new professional development resource builds on research into teacher practice in Years 0-6 classrooms in New Zealand primary schools. It offers new…

An artist outlines her system (called the Monart Drawing Method) for teaching children to draw realistically. Children are taught an alphabet of five elements of shape and allowed to interpret and utilize the information any way they wish. The system allows children's natural creative abilities to flourish. (MD)

Argues that the aesthetics component of discipline-based art education (DBAE) needs to be re-evaluated in order for DBAE to be used at the elementary level. Suggests taking the practical approach to teaching aesthetics rather than the philosophical approach. (BR)

Discusses four ways that art teachers can enhance the therapeutic aspects of their lessons: (1) recognize the similarities between the therapeutic and creative processes: (2) empathetically talk with students about their artwork; (3) understand Expressive Therapies Continuum (ETC); and (4) work in collaboration with faculty and staff members. (CMK)

Maintains that the study of art history should be learning about all forms of art work from every culture and relating it to the present. Describes how one art teacher uses puppetry to actively involve students in art history. Recommends that teachers look to the great teachers and their own teaching for such lessons. (KM)

Ruth Faison Shaw was an art educator who developed a nontraditional educational perspective of teaching and a different vision about children's art. As such, she is considered by some to be the initiator of finger-painting in America (The History of Art Education Timeline 1930-1939, 2002.) Shaw developed the technique of finger-painting and a…

To have more contact with children who particularly desired her help, an itinerant art teacher set up a box in each school where students could voluntarily leave their artwork for her to comment on and return later. The week's outstanding products were displayed in the cafeteria "art gallery." (SJL)

Illustrates the skill and inspiration of master art teacher, Frank Wachowiak, by presenting three lessons for children: "Fruits and Vegetables" or "Leaves" in crayon resist, "X-ray Trees" in crayon engraving and "Angels or Self-portraits" in tempera. Lessons emphasize the use of patterns and textures, as…

Describes an Artists' Workshop that emphasizes the importance and value of connecting art and writing to demonstrate where ideas come from and how they are expressed. Justifies writing as necessary to focus on process and meaning of art and not merely the product. Extends art across the curriculum by encouraging sketch journals in the classroom.…

Maintains that art therapy encompasses the areas of mental health and art education. Presents a case study of three sisters from a family with a history of sexual abuse and illustrates how art therapy was used as part of their overall treatment. (CFR)

By strengthening the links between specialty teachers' classrooms (e.g., music, art, and physical education) and the regular classroom, classroom teachers can tap into the specialty teachers' expertise and use the arts to enhance everyday lessons. The article describes the steps in initiating and maintaining such a partnership. Two sample lessons…

The National Instructional Television Center provides this guide for teachers whose students will be viewing the Images and Things series. The series, composed of 30 films of 20 minutes each, directs attention to the aesthetic and humanistic aspects of art and seeks to help children develop a sense of art appreciation and an ability for art…