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Ryan D. Shaw; David Hedgecoth; Andrew Bohn; Emily Moler Huddleston; Nathan Irby; Charles Oldenkamp; Gentry Ragsdale; Lorenzo L. Sánchez-Gatt; Austin D. Thomas – Journal of Research in Music Education, 2025
The purpose of this multiple case study was to investigate engagement in the collegiate concert band setting. Research questions were: (1) How do collegiate band students describe their engagement in large ensemble rehearsals? (2) How do collegiate band directors describe engagement in large ensemble rehearsals? and (3) What does rehearsal…
Descriptors: Higher Education, Music Activities, Musicians, Drills (Practice)
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Colquhoun, Shane – General Music Today, 2018
In secondary general music classes, music educators have the opportunity to bridge the gap between the music students' experiences in school and the music they engage with outside of school. According to Williams, nontraditional music students have musical lives outside of school but choose not to participate in traditional ensembles. In this…
Descriptors: Popular Culture, Music Education, Teaching Methods, Educational Strategies
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Riley, Patricia – Music Educators Journal, 2014
In 1989, Bennett Reimer wrote that there are three ways through which people can experience music: performing, listening, and composing. Similarly, in the current National Standards document, MENC [now the National Association for Music Education (NAfME)] identifies performing, creating, and responding to music as the "fundamental music…
Descriptors: Musical Composition, Music Techniques, Music Education, Educational Strategies
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Kratus, John – Music Educators Journal, 2016
Songwriting is a form of composition that relates directly to adolescents' personal experience of music. This article provides a rationale for establishing courses in songwriting at the middle school and high school levels. Other topics in the article include curriculum development, instructional procedures, and assessment. The article ends with…
Descriptors: Music Education, Secondary School Curriculum, Singing, Musical Composition
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Stringham, David A. – Music Educators Journal, 2016
In performance-focused ensemble classrooms, students and teachers often work toward convergent solutions (e.g., accurate notes and rhythms, agreeing on interpretation). Hierarchical structures may be in place in which it is considered inappropriate to question or disagree with an interpretation set forth by the leader. Teaching composition, in…
Descriptors: Classroom Environment, Classroom Techniques, Music Activities, Music Education
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Zaffini, Erin Dineen – General Music Today, 2015
General music teachers might be faced with formal performance expectations placed on them by administrators. While performance expectations are common in performance-based ensembles, meeting these expectations can be cumbersome and daunting to those who serve in the realm of general music. Informances--informative presentations of student learning…
Descriptors: Music Education, Music Techniques, Teaching Methods, Educational Practices
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Beegle, Amy C. – General Music Today, 2014
This column presents books for children penned by Maya Angelou. These poems and stories, based on her experiences as an African American woman living in the United States, Egypt, Ghana, and South Africa, include extraordinary photography and artwork. Suggestions for inclusion in the general music classroom are provided.
Descriptors: Childrens Literature, Poetry, Music Education, Classroom Techniques
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Holmes, Alena; VanAlstine, Sharri – Music Educators Journal, 2014
International-mindedness is defined in many different ways in education discourse. Some of the definitions include the ability to be open-minded and respectful of cultures and peoples or having an awareness of the interconnectedness of people not only intellectually but also with growing empathy. Do music educators have any role in helping…
Descriptors: Interdisciplinary Approach, Music Education, Teaching Methods, Global Education
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Randles, Clint; Sullivan, Mark – Music Educators Journal, 2013
Composition pedagogy is explored from the perspective of a composer and a music teacher educator in this article. The primary goal is to help practicing music teachers develop strategies that will encourage students to create original music. The authors provide reflection about the process of helping students compose on the basis of personal…
Descriptors: Music, Music Education, Music Teachers, Musical Composition
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Steele, Meg – Social Education, 2014
Sheet music, song lyrics, and audio recordings may not be the first primary sources that come to mind when considering ways to teach about changes brought about by technology during westward expansion, but these sources engage students in thought provoking ways. In this article the author presents a 1917 photograph of Mountain Chief, of the Piegan…
Descriptors: Student Interests, Primary Sources, American Indian Culture, American Indian History
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Hopkins, Michael T. – Journal of Research in Music Education, 2015
The purpose of this study was to examine collaborative composing in high school string chamber music ensembles. Research questions included the following: (a) How do high school string instrumentalists in chamber music ensembles use verbal and musical forms of communication to collaboratively compose a piece of music? (b) How do selected variables…
Descriptors: Music Education, High Schools, Musical Composition, Music Activities
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Pellegrino, Kristen – Journal of Research in Music Education, 2014
The purpose of this phenomenological case study was to examine the intersections of music making and teaching for four string teachers. Data included background surveys, three interviews per participant, videotaped classroom observations (jointly viewed during the second interview), and a focus group interview that included music making. Findings…
Descriptors: Phenomenology, Case Studies, Classroom Observation Techniques, Interviews
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Sikes, Paul L. – Journal of Research in Music Education, 2013
The purpose of this study was to determine the effects of specific practice strategy use on university string players' performance. Participants ('N" = 40) volunteered for the study and were string players enrolled in orchestra at a major research university. Within a pretest-posttest designed study, participants were assigned to one of four…
Descriptors: Drills (Practice), Educational Strategies, Musical Instruments, Pretests Posttests
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Moreno, Jessica Perez; Malagarriga i Rovira, Teresa – General Music Today, 2011
A description of a listening activity for "Children's Song," a piece by Chick Corea, is introduced and developed. The use of materials and strategies for music making in early childhood settings was developed as a result of a teacher training and consultancy program implemented in a network of early learning centers in Spain. The main…
Descriptors: Foreign Countries, Music, Early Childhood Education, Listening
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Robinson, Nathalie G.; Bell, Cindy L.; Pogonowski, Lenore – Music Educators Journal, 2011
The creative music strategy is a dynamic and flexible seven-step model for guiding general music students through the music concepts of improvisation and composition, followed by critical reflection. These are musical behaviors that cultivate the development of our students' deeper conceptual understandings and music independence by helping them…
Descriptors: Music Education, Music, Creativity, Educational Strategies
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