The long-forgotten debate of 1929-31 between T. L. Kelley and W. H. Kilpatrick is reviewed with the aim of reviving the crucial, but dormant, issue of the competence of quantitative empirical research to answer educational questions. They debated the need to supplement scientific method with a philosophical approach sensitive to needs, impulses,…

The middle school movement is not about being better able to meet the learning needs of preadolescents; middle schools are attractive mostly for administrative, not pedagogical reasons. Middle school advocates overlook the cultural context of rural schools and the violence done to communitarian precepts when middle school construction results in…

Instructional goals and sample instructional objectives for art education in West Virginia's public schools are outlined. A comprehensive arts education program is basic to the general education of every child. Two guiding principles directed the programs' design. First, each student should have opportunities to acquire skills in the four…

This document records the Minnesota Department of Education's philosophy of art education. Chapter 1 outlines the educational and learner values, philosophy, mission, and goals of the State Board of Education. These ideas aim to provide a model for use by communities and school staff to improve the learning experiences they offer students. They…

Nine study guides for the 1966 Dartmouth Seminar publications are assembled for use with teachers in conference programs and workshops. Each guide contains from seven to 23 questions for discussion or independent study. Four guides--one each on new content in English programs, on literature, on language, and on composition, rhetoric, and…

Presents a psychoanalytic critique of an advertisement for the Getty Center for Education in the Arts multicultural program. Applying principles derived from Lacan, Foucault, and Derrida, reveals basic racist, sexist, and elitist assumptions embedded in the advertisement. Includes a reproduction of the advertisement and extensive footnotes. (MJP)

Presents a response to, and critique of, the purely postmodernist approach to the study of history. Maintains that an appreciation of the subjective and constructed nature of knowledge still can be integrated, as a component, into a study of the understanding, construction, and transcription of history. (MJP)

Presents a metacritical examination of published essays by three professional critics of Richard Avedon's photographic exhibition, "In the American West," to determine how critics describe art work. Concludes that more comparative research is needed to bridge the gap between professional art criticism and that taught in schools. (KM)

Extrapolates some of the basic epistemological and philosophical arguments of area studies supporters and their detractors within political science. Discusses a possible study of traditional political science "culture" by the area studies proponents. Concludes with a call for both disciplines to work together. (MJP)

In this article, the authors discuss how Louise Rosenblatt's work influenced many teachers' teaching and learning practices. Rosenblatt was known for helping readers find their rightful place in the act of reading. Louise argued in the 1930s (and steadfastly maintained until her recent death) that the act of reading was a dynamic transaction…

Implicated in contributing to the problems youth today face in trying to claim an education, an informed active participation in the social order, dominant discourses of desire in education foreclose formal, critical analysis of social structures that construct, police, entreat, and deny desire. Looking at the ways in which desire is encoded in…

Asserts that aesthetic questions and aesthetic understanding provide the framework for learning in art. Contrasts formalism (the belief that art exists for its own sake) with contextualism (the belief that art is part of a social communication system). Maintains that a balanced art program should incorporate both approaches. (MJP)

Shows how discipline-based art education developed, and relates it to Thomas S. Kuhn's theory of paradigm shifts. Critiques Gilbert Clark, Michael Day, and W. Dwaine Greer's theory of disciplined-based art education and highlights mistaken notions in the inquiry methods of curriculum specialists. Concludes that art educators should focus on how…

While recognizing the popularity of the Bloom and Krathwohl taxonomies, this paper focuses on their shortcomings and proposes new affective taxonomies. The Bloom/Krathwohl approach to curriculum design is built around intellectual ends and ignores self-development and social intelligence. This has become particularly pronounced with the advent of…

This anthology addresses the effects of future national and international change upon education. Contributing authors: (1) refer to preparation of art educators for the 21st Century; (2) examine content, methods, theories, and goals of art education; (3) question past and present values and beliefs; and (4) look to new directions for art…