HCI and Industrial Design are both disciplines that are currently experiencing radical transformation in terms of their identity and scope. HCI has moved beyond its origins in human factors and cognitive psychology towards the proactive and generative design of experience. Industrial Design has similarly evolved from a concern with physical form…

Makerspaces are collaborative workplaces equipped with a variety of high- and low-tech tools and materials that individuals can use to create physical and digital products. In this article the authors take the perspective that integrating a makerspace into a school is a proactive, thoughtful, and time-consuming process. To help meaningfully…

One fundamental way of ensuring success in workplaces is to set the goal to be actualized. Education industry is not an exception. This study evaluated the goals of art education programme in the unity schools of the North eastern zone of Nigeria. Three out of the six states in that zone were selected. The research design is survey. The target…

This discursive article proposes that the learning and teaching regimes provided within art school are uniquely placed within higher education to foster nomads. It suggests, however, that nomadism is not enough. Rather it emphasises that to reconcile art and design education with sustainability, such nomadism needs both to be prophetic and…

The aims of educating for economic, cultural, and pedagogical purposes have existed since the early inception of art education. Looking at how and why these aims evolved in the early era of art and design education has potential for better understanding how and why design should be incorporated into the art education curricula today. This article…

Describes objectives, materials, and motivation for an activity unit. (SP)

Examines issues related to critical studies and educational goals included in the National Curriculum in Great Britain. Concludes that the emphasis on production in art education has declined and that aesthetics and cultural diversity, both components of critical studies, has increased insignificance. (CFR)

The nine papers presented in the document are part of a conference held at Coombe Lodge in Bristol, England, which focused on an analysis of the objectives of vocational art and design education and a re-appraisal of the curriculum. The papers include the following: (1) The Report of the Working Group on Vocational Courses, (2) Design Education--A…

Presents a model for systematizing the relationships between core content and educational objectives in British art and design classes. The model shows how the expressive, perceptual, analytic and cultural domains of art and design education are interrelated. Available from Carfax Publishing Company, P.O. Box 25, Abingdon, Oxfordshire OX14 1RW…

Examines two designing traditions and their influence on architectural design education. Points out that the emphasis upon either idea or technique is often uneven in proportion even though design is, in fact, an interaction of the two. Suggests that success of a course depends upon its methodological focus as well as its content. (KO)

Author described art teacher education for the elementary generalist teacher and the secondary specialist in art and design. (Editor/RK)

Three-part article: "Hornsey College of Art, Department of Teacher Training by Peter Green, "Today's Teacher Tomorrow by Maurice Barrett, and "An Environment for the Education of Teachers of Art by Lucy Burroughs.

Describes an art lesson that focuses on the technique "repousse." Explains that the lesson teaches students about art concepts, such as rhythm, repetition, pattern, and design. Discusses in detail how the students use this method and includes materials and learning objectives. (CMK)

Reviews significant aspects of the debate about art and design education in secondary schools in England and Wales. Asserts that the British National Curriculum forces art and design education into a marginal role. Contends that the National Curriculum's Order for Technology is of crucial concern for every art and design teacher. (CFR)

This report presents and compares the results of the first and second art assessments conducted by the National Assessment of Educational Progress (NAEP) in 1974-75 and 1978-79. The achievement and attitudes of approximately 7,500 9-year-olds, 11,000 13-year-olds, and 13,500 17-year-olds were surveyed. The report consists of an introduction to the…