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Heron, Jonathan; Johnson, Nicholas – Research in Drama Education, 2017
This dialogue contributes reflections on the "theatre laboratory" to the scholarly debate surrounding methodologies of drama education and applied performance. The co-authors suggest that the experimental and ensemble-led approach of the Samuel Beckett Laboratory, founded at Trinity College Dublin in 2013 as a space for research into…
Descriptors: Critical Theory, Dramatics, Drama, Theaters
Kelman, Dave; Rafe, Jane – Research in Drama Education, 2013
An artists' residency in a primary school in regional Victoria Australia staged a production of Shakespeare's "King Lear" in a local theatre. A qualitative, reflective practitioner research study into this project collected and analysed data from participating children and their community audience that gave some insight into their…
Descriptors: Drama, Dramatics, Theaters, Children
Burian, Jarka M. – Educational Theatre Journal, 1971
A discussion of the three small theatres of Prague, the Balustrade, the Drama Club, and the Gate, and their significance as a symptom and even as a contributory cause of socio-cultural realities." (Author/DR)
Descriptors: Czech Literature, Dramatics, Production Techniques, Theater Arts
Mill River Union High School, North Clarendon, VT. – 1983
The policies, purposes, and guidelines of "Stage 40," an educational repertory company for students, are presented in this paper, which also explains how the company functions. The paper discusses the company's history, the relationship between the company and academics, and the responsibilities of a company member. Letters by the board…
Descriptors: Acting, Clothing Design, Drama, Dramatics
Bata, Glorianna – Grade Teacher, 1969
Techniques of professional directors can be used in rehearsals to insure a successful school production. (AP)
Descriptors: Dramatics, Production Techniques, Rehearsals (Theater Arts), Teaching Methods
Meyer, Richard D. – 1966
The open stage is discussed both as architecture and as part of a new theatrical style. In reference to use of the open stage, emphasis is given to specifics with which the director must deal, to special problems of the actor, to the approach to blocking a play, and to the open stage as "theatrical experience". The architectural advantage of the…
Descriptors: Acting, Architecture, Design Preferences, Dramatics
Selden, Samuel – 1969
Clarifying for both the playgoer and the playmaker the concept of theater as an institution for game-playing, this book analyzes the identifiable urges common to all theatergoers and deals with their immediate emotional experiences. Directing its discussion primarily to playwrights and directors and only secondarily to actors and scenic artists,…
Descriptors: Acting, Audience Participation, Audiences, Communication (Thought Transfer)
ERIC Clearinghouse on Reading and Communication Skills, Urbana, IL. – 1980
This collection of abstracts is part of a continuing series providing information on recent doctoral dissertations. The 15 titles deal with the following topics: (1) a taxonomy of educational objectives in acting; (2) contemporary musical theatre in Utah; (3) applying management concepts to educational theatre operations; (4) creative drama and…
Descriptors: Acting, Annotated Bibliographies, Creative Dramatics, Doctoral Dissertations
Stoddard, Richard – 1977
This annotated bibliography traces the status of stage scenery and lighting, throughout the world, from the classical Greek theatre to the theatre of the 1970s, and includes references to available books, articles, pamphlets, some exhibition catalogs, and a few newspaper articles. Part one lists general references, including bibliographies and…
Descriptors: Annotated Bibliographies, Design, Drama, Dramatics
Pearlman, Gordon; Moore, Barry – Theatre Crafts, 1975
Outlines the requirements for an effective outdoor theatre installation, noting specific production considerations and techniques. See CS 703 531 for availability. (MH)
Descriptors: Architectural Research, Design Requirements, Dramatics, Outdoor Activities
Taft-Kaufman, Jill – 1981
The extensive use of improvisational techniques in rehearsals for chamber theatre productions develops for the performer a strong engagement with the text. The director can channel the movement and gestures that emerge from these techniques into the production itself, with results that more effectively convey the literature than traditional…
Descriptors: Acting, Creative Activities, Dramatics, Higher Education
Molen, Janis – 1977
The Sunseed Repertory Collective, a touring theatre company, was formed to deal seriously with contemporary--often controversial--social and political issues. The group uses unconventional production techniques, plays in a variety of settings to a wide range of audiences, charges no admission (relying on donations after performances), and prefers…
Descriptors: Cooperative Planning, Drama, Dramatics, Financial Problems
Beasley, Mary F. – 1972
The author states that because of recent interest in readers theatre, or concert readings, some objective methods of assessing audience response should be developed. In the first section of the paper, she provides a rationale for a critical suggestions form. The author's guidelines for an evaluation form include the use of expert judges, an…
Descriptors: Choral Speaking, Creative Dramatics, Dramatics, Evaluation Methods
Long, E. Hudson, Comp. – 1970
This selective bibliography, a guide to scholarship in the American drama and related subjects, provides coverage of the major works and topics, with emphasis on work published in the 20th century. Unpublished dissertations, most literary histories, and short notes and explications are omitted. Entries are listed under the general topics of…
Descriptors: Acting, Anthologies, Bibliographies, Drama
Raeburn, David – Didaskalos, 1964
This booklet addresses itself to the problem of whether Greek tragedy can be produced today in schools as a vital theatrical experience. The main thesis of the first of two articles points out that while a producer's first concern must be to communicate the context and spirit of a particular drama to a modern audience, he must also bring out the…
Descriptors: Acting, Classical Literature, Cultural Enrichment, Drama