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Tam, Po-Chi – Research in Drama Education, 2020
This response to COVID-19 introduces a Hong Kong drama education project that aims to support teachers' and children's return to school after the easing of COVID-19 pandemic. A pilot workshop has been conducted to explore and evaluate the approach of the project and to identify the needs of the teachers under the pandemic. Preliminary observations…
Descriptors: Foreign Countries, COVID-19, Pandemics, Responses
Dima, Aikaterini; Kaiafa, Eleni; Tsiaras, Asterios – Open Journal for Educational Research, 2020
The aim of this study is to examine and determine the extent to which educational drama, as an innovative teaching approach, can cultivate critical thinking of students in primary school. Based on the principles of educational drama, 15 theatrical workshops were designed in relation with and corresponding to the culture and interests of the…
Descriptors: Dramatic Play, Experiential Learning, Drama Workshops, Teaching Methods
Abraham, Nicola – Research in Drama Education, 2017
This article details key findings from a longitudinal study conducted in collaboration with Kids Company, funded by the Arts and Humanities Research Council (AHRC). The focus of this article is the role of the "teacher as witness" to the impact of a participatory theatre project with vulnerable young people. This research argues that the…
Descriptors: Theater Arts, Elementary School Students, Drama, Foreign Countries
Adeyemi, Olusola Smith – Journal of Education and e-Learning Research, 2015
Theatre for Development (TfD) is a special kind of Theatre practice that creates a platform for members of a specific community to respond to, and actively participate in issues relating to their social development through an engaging process of play and acting. The sole essence of this form of theatre is to sensitize, radicalize and conscientize…
Descriptors: Poverty Areas, Praxis, Foreign Countries, Social Development
Cooper, Ruth – Research in Drama Education, 2010
The Theatre Company Blah Blah Blah (the Blahs) have been working in youth centres since 1985 and over that time the Blahs have experimented with ways to make theatre for young people in this environment. A youth centre can be a hostile place to take a piece of theatre. Many of the youth centres the Blahs have visited have been in areas of social…
Descriptors: Theater Arts, Mythology, Youth, Drama
Singh, Lorraine – Perspectives in Education, 2012
This article arose out of my involvement in an undergraduate drama module at the School of Education, University of KwaZulu-Natal, where I made use of workshop theatre methodologies to explore how second-year drama students construct knowledge and develop sociocultural understandings of critical issues in society. The workshop theatre project…
Descriptors: Foreign Countries, World Views, Drama Workshops, Didacticism
Nielsen, Keith E. – 1972
The production of plays enables the students to associate themselves with the total matrix of the play--its social, political, economic, and cultural aspects; thus theater teaching should be ideally suited to learning cultural concepts about a specific country. This study tested a program of theater teaching against a more conventional teaching…
Descriptors: Creative Dramatics, Cultural Education, Dogmatism, Drama Workshops
Monaghan, Therese A. – 1976
This dissertation explores the possibilities for releasing playfulness in adults through creative drama. A playful attitude, the capacity to enjoy action for its own sake, is difficult to maintain in a technological society which demands rational control, achievement, and conformity. Creative drama can provide a way to develop playfulness in our…
Descriptors: Adult Counseling, Adult Development, Creative Dramatics, Doctoral Dissertations