Intended for teachers who have no particular experience or training in teaching theater, but who have a love of theater and enjoy a good play, this book discusses making theater with children. It explores improvisation, reading and acting with scripts, adapting plays for young actors, and writing plays. The examples presented in the text are…

Formal plays offer opportunities for a child to develop skills in memorization oral expression, teamwork, and leadership. (Author)

Describes the "Power Game," which has only one rule: the object is to win, and the game is over when one player speaks or touches the other. Explains the structure and progression of the game in rounds. States that the game provides a launching point for a discussion of power, winning and losing, and listening clearly. (PA)

Describes and outlines dramatic elements (character, character objectives, conflict, costumes, and "performance" rather than "production") that help students gain understanding of historical, social, and literary content. (SR)

Urges the use of plays as a means of practicing English; however, the play should be chosen to suit the players. (LG)

Discusses mime, masks, improvisation, body training, and choral dynamics as techniques for improving actors' body movements. (RD)

This article gives many suggestions for using drama in the foreign language classroom. (CFM)

This book contains papers presented at an "Interactive Research Conference" held in June 1996 at the University of Central England. The conference focused on the pioneering work of Professor Dorothy Heathcote in the field of drama in education. Twenty-three different countries were represented at the conference. The book has three…

This curriculum guide provides an introductory course in the theatre for first-year high school students. The course uses an interdisciplinary approach and includes a discussion of types and styles of drama, a brief history of drama, fundamentals of acting, and techniques of play production focusing on music, costume design, make-up, scenery,…

A course in the production of plays for and with children for presentation at elementary schools is outlined. This course involves choosing the play and mounting the production. The performance objectives indicate the student will: develop the necessary stage disciplines to perform as a member of a production unit; reacquaint himself with a…

Presents five articles on using creative dramatics in early childhood education: (1) "Drama: A Rehearsal for Life" (Julia Gabriel); (2) "Fairy Tales Enhance Imagination and Creative Thinking" (Olga Sidlovskaya); (3) "Starting with a Story" (Ruth Stotter); (4) "Using Creative Dramatics to Include All…

This publication is part of a series of monographs on the art of teaching. Each volume, focusing on a specific discipline, explores theory in the context of teaching strategies connected to evaluation of both teachers' and students' learning. Three techniques are offered for using the series: dialogues (as self-evaluation and in study groups),…

This paper provides a basic framework for using creative drama to achieve a wide range of objectives in educating students with mental disabilities; these objectives include enhanced communication skills, discipline and teamwork, self-concept, and creativity. Drama techniques such as movement exercises, games, structured play, role playing, and…

Describes a case study which collected journals from, interviewed, and observed 23 children as they participated in a 6-week creative drama workshop using the Rutgers Imagination Method. Finds improvement in specific areas of learning, including vocabulary, imagery abilities, and dramatic behavior. (SR)

Examines the current practices and possibilities of using the teaching-in-role strategy (where the teacher takes on a fictional role for educational purposes) through a survey of professional youth theaters. Finds that, of 38 programs that responded, all indicated having an educational program with several characteristics compatible with…