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Showing 16 to 30 of 82 results Save | Export
Gross, Roger – 1974
That a play has one central action which is its formal cause is the most influential interpretative idea to emerge among theatre writers since the old model of situation/incident/complication/climax/denouement. Unfortunately, the action concept has been insufficiently developed, excessive hopes have been pinned on it, and it has become a reductive…
Descriptors: Acting, Drama, Dramatics, Higher Education
Snow, Nancy Hill – 1985
In the process of perfecting oral performances of selected scenes from Eudora Welty's "The Optimist's Daughter," it is important to study point of view and character as they pertain to the play. Four aspects should be considered to understand the point of view: (1) the character's story, (2) the position from which the narrator speaks,…
Descriptors: Acting, Characterization, Drama, Literary Criticism
Hicks, Vivian H. – 1972
This curriculum guide describes an advanced course for speech classes in the oral interpretation of literature. It is meant to follow the first course, which introduced the subject and gave some fundamentals and practice in oral reading. The student is expected to meet the following objectives in the course: (1) demonstrate ability in using his…
Descriptors: Audiences, Curriculum Guides, Drama, Interpretive Reading
Edelman, Sam – 1976
The interrelationship of performers, text, and audience in reader's theater may be better understood through philosopher Martin Buber's key concepts of polarity, dialogue, and inclusion. These concepts operate within four polar tensions identified by Buber: that between the performer and the character represented; that between the performer and…
Descriptors: Acting, Creative Dramatics, Creative Reading, Drama
Sweet, Bruce – Secondary School Theatre Journal, 1980
Presents the text of an interview with John Hodgson, British proponent of educational theater. His use of improvisation as a teaching technique and contrasts between the American and British systems of educational theater are discussed. (JMF)
Descriptors: Acting, Characterization, Classroom Techniques, Drama
Peer reviewed Peer reviewed
Reiser, Jamie – Reading Teacher, 1989
Describes how performing Shel Silverstein's poems is an effective method to practice oral expression. Notes that although this activity was used in a fourth grade class, it could be adapted to any grade level. (MM)
Descriptors: Class Activities, Drama, Elementary Education, Grade 4
Holm, Todd T. – 1995
It is a surprising fact that a student of speech can compete in prose, poetry, drama, and program oral interpretation without ever needing to develop two characters, without ever needing to establish two separate focal points in the same piece, and without ever learning to adapt to a new style of writing. This can be done if the student simply…
Descriptors: Drama, Higher Education, Monologs, Oral Interpretation
Peer reviewed Peer reviewed
Tretler, Lawrence J. – English Journal, 1981
Argues that English teachers who use plays in their classes should emphasize the effects and interpretation of the words of the scripts as they are spoken. Offers four suggestions whereby teachers can focus on the playscript as it is performed, not written. (RL)
Descriptors: Drama, English Instruction, Literature Appreciation, Oral Interpretation
White, Melvin R. – 1993
This anthology of literature contains selections that can be performed in classrooms, workshops, and speech and theater conventions as reader's theater, defined as a dramatic approach to literature. Divided into six categories--comedy, mystery/suspense, Christmas specials, folklore, children's classics, and the human spirit--the anthology features…
Descriptors: Creative Expression, Curriculum Enrichment, Drama, Elementary Secondary Education
Mallick, David – Use of English, 1987
Argues that by acting out, rather than only reading Shakespeare's plays, they can be better interpreted and appreciated. (SRT)
Descriptors: Acting, Drama, Drama Workshops, English Literature
Chase, Rosemary – Independent School Bulletin, 1972
The author declares, The play is the thing. As a tool for teaching, it's incomparable. It can painlessly teach reading, reciting, reasoning and writing." She describes techniques for class study. (Author/JB)
Descriptors: Characterization, Drama, English Instruction, Interpretive Reading
Slattery, Judith M. – Teacher, 1979
The author explains how she changes folk tales into simple two-actor plays geared to the oral reading ability of her remedial reading students. Two of her plays are included in this article: "A Halloween Tale" and "The Three Wishes." (SJL)
Descriptors: Drama, Elementary Education, Folk Culture, Oral Interpretation
Ratliff, Gerald Lee – Secondary School Theatre Journal, 1980
Describes the use of Bertolt Brecht's theories regarding literature and performance. Details the selected use of Reader's Theatre techniques in analyzing and staging literature in the secondary classroom environment. (JMF)
Descriptors: Acting, Class Activities, Classroom Techniques, Creative Dramatics
Peer reviewed Peer reviewed
Merrick, Brian – Children's Literature in Education, 1979
Describes poetry programs presented to children by a troupe of performers who incorporated music, humor, and audience response in their performances. Lists qualities of the shows that contributed to their success with children. (HOD)
Descriptors: Childhood Interests, Drama, Elementary Secondary Education, Humor
Shaw, Charla L. Markham – 1996
Teachers, researchers, and performers in the field of Performance Studies often find themselves defining what it is that they do. Boundaries are often hard to draw, however. Is the work they are doing "art?" The distinction is important to funding agencies, tenure committees, and university administration. One definition of art…
Descriptors: Aesthetic Education, Art Activities, Art Expression, Audience Response
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