In this paper, drawing on Bakhtin's carnival theory, I argue that teachers can play a transgressive role--similar to that of the carnival fool--by taking on a story role and by interacting with the children in the drama convention of Teacher-in-Role. The carnival notion of 'decrowning-crowning' allows me to understand how the teachers disguise and…

Explores the beliefs of an elementary school teacher who consistently used drama in her classroom. Finds that the use of drama is contingent on the teacher's beliefs about the kinds of support provided within the school, about the value of drama, and about her own ability to structure effective drama experiences. (SR)

Presents thoughts of teachers (many from Lee Expressive Arts Elementary School in Columbia, Missouri) on why they engage in the expressive arts and literature. Offers specific examples of how teachers explore life and literature through drama, music, and art with 22 children's books. (SR)

The first, theoretical section of this investigation of the dramatic process examines the function of imagination and spontaneity. This section notes that the imaginative process occurs in the preconscious and need not be limited by the external world or by memory and suggests that spontaneity, like imagination, is an intuitive response dependent…