This article proposes a theatrically oriented, thematically structured course model for the upper level undergraduate German curriculum. The traditional focus on staging a single play in the German foreign language theater practicum neglects theater's potential to explore other literary genres and cultural texts and runs the danger of…

Examines the relevancy of theories of dramatic criticism to the preparation of drama students; based on a paper presented at national convention of American Educational Theatre Association (Detroit, August 1969). (SW)

This collection of abstracts is part of a continuing series providing information on recent doctoral dissertations. The 26 titles deal with a variety of topics, including the following: (1) military theatre; (2) drama as pedagogy; (3) visualization and actor training; (4) the discomfort-relief quotient as an indicator of theatrical genre; (5)…

Using a theater arts thematic approach to demonstrate ways listening, speaking, and writing activities can be built around the study of works of literature, this guide presents activities and sample lessons to help students develop an awareness of the interrelationships between performance and the language arts. Following an introduction, the…

Explores the relationship between solo performance and theatrical spectacle emphasizing the important factors of audience expectation and acceptance. (MH)

A collection of sixteen one-act royalty-free plays for teenagers, including detailed directions for costuming and staging, is presented. The variety of the dramatic material makes the plays suitable for production by drama classes, amateur theatre groups and drama workshops. The plays appear in one of the two parts of the book: I. Comedies, and…

The New Black Theatre dramatizes the values it seeks to reaffirm from play to play: ritual is here achieved through the repetition of patterns, symbols and values from drama to drama, using the six literary devices of allegory, symbol, characterization, recurring themes, language styles, and repetition. (Author/JM)

Notes that "drama has been seen by many to be one of the best means of helping students to know themselves more fully," and discusses the place of drama in the schools, what drama does for people, drama as a literary genre, readers' theater, mime, role playing, simulation, creative dramatics and plays for an audience. (Author/JM)

A collection of thirty royalty-free one-act plays for young players, using a wide range of dramatic forms, imaginative settings and colorful characters, is presented. A variety of subjects is included in these comedies, dramas, spoofs and programs: science fiction, ecology, history, storybook classics, and glimpses into life and folklore of other…

Maintains that the Text Encoding Initiative guidelines make it possible to encode dramatic works as either an event or a text, but do not permit scholars to do both. Discusses approaches to encoding speeches and other aspects of dramatic texts. (CFR)

The purpose of this second book of 21 self-contained essays is the same as that of the first volume published in 1972: to bring together the scholarly theory and current research regarding oral interpretation. One third of the essays are centered on literature itself: prose fiction, poetry, and the drama. These essays discuss topics such as point…