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Renaud, Lissa Tyler – Teaching Theatre, 2003
Explains how the author's father taught her about theatre in their everyday life. Discusses artistic sensibilities such as the use of voice, body, mind, and values. Explains the following theatre specifics: pacing; language; telling the story; relaxation and humor; participation; the audience's job; inflation of titles; history; subtext; and…
Descriptors: Audience Awareness, Body Language, Drama, Humor
Phillips, Jerrold A. – 1978
Because it focuses on questions of communication, the experimental theatre of the 1970s, particularly that created by Robert Wilson and Richard Foreman, can be analyzed according to two distinct theories regarding the communication process. The first theory defines communication as a process in which the communicator selects and transmits messages…
Descriptors: Audiences, Body Language, Communication (Thought Transfer), Drama
Idaho State Dept. of Education, Boise. Div. of Instructional Improvement. – 1978
This elementary and secondary drama guide contains activities to help teachers make drama more creative and more imaginative and rich for students so that they will have a rich appreciation of and taste for the theatre when they grow up. The many and varied activities described are first categorized into three main areas: awareness, interaction,…
Descriptors: Bibliographies, Body Language, Class Activities, Creative Expression
Cobin, Martin; And Others – 1977
The second of four related manuals describing the goals and methods of an established developmental theatre project at the University of Colorado, this manual presents a hierarchical framework and practical guidelines for conducting drama workshops for elementary students, secondary students, and adults. It describes four types of…
Descriptors: Acting, Body Language, Communication (Thought Transfer), Creativity