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Hockham, D.; Campbell, J.; Chambers, A.; Franklin, P.; Pollard, I.; Reynolds, T.; Ruddock, S. – Research in Drama Education, 2022
How do archives start and who are they for? The Caribbean Social Forum, based in Woolwich in the Royal Borough of Greenwich, London, are currently considering these questions as they look to preserve the stories of over 600 Caribbean members who the media have framed as 'the Windrush Generation'. The paper argues that co-created projects, where…
Descriptors: Archives, Oral History, Age Groups, Foreign Countries
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White, E. Jayne; Peters, Michael A. – Educational Philosophy and Theory, 2017
This paper locates its genesis in a small town called Vitebsk in Belorussia which experienced a flowering of creativity and artistic energy that led to significant modernist experimentation in the years 1917-1921. Marc Chagall, returning from the October Revolution took up the position of art commissioner and developed an academy of art that…
Descriptors: Creativity, Educational Philosophy, Foreign Countries, Art
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Welsh, Scott – Research in Drama Education, 2017
This paper explores an example of applied theatre and praxis learning in an Australian classroom with drama students aged 16-17 years which took the form of "real fiction" or social theatre monologue writing. It presents monologue responses from nine participants, altered by the researcher to protect identities and to tease out issues…
Descriptors: Literary Devices, Theater Arts, Secondary School Students, Foreign Countries
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Odsess-Rubin, Adam – Teaching Artist Journal, 2018
Social Activism Through Theater" chronicles the author's first full year as a teaching artist in New York City, including the launch of National Queer Theater and its inaugural show, Speechless, as well as his experiences investigating film and storytelling with teenagers at the Refugee Youth Summer Academy.
Descriptors: Activism, Social Action, Theater Arts, Art
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Morris, Gay – Research in Drama Education, 2013
In 2005-2009, the author researched the theatre-making practices of young people in selected black townships near Cape Town, South Africa. Township theatre groups comprised secondary school learners and out-of-school youth who join together to learn about and make theatre, perform and watch each other. These theatre practitioners do not describe…
Descriptors: Theater Arts, Foreign Countries, Out of School Youth, Informal Education
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Hamilton, James R. – Journal of Aesthetic Education, 2009
In "The Art of Theater," the author proposes and explains a claim that many theater people hold true in some form but have defended in a manner that has had almost no success outside discussions among themselves. The claim proposed is that, in an unqualified way, theater is a form of art. By that the author means theatrical performances are "what…
Descriptors: Drama, Theaters, Art, Aesthetics
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Norris, Joe – International Journal of Education & the Arts, 2011
Building upon a First Nations circle metaphor this paper explores how employing the interrelated concepts of pedagogy, poiesis, politics, and public positioning can provide a more holistic approach in designing and assessing arts-based projects be they for instructional and/or research purposes. It takes a "postmodern" stance (Giroux, 1991),…
Descriptors: Holistic Approach, Postmodernism, Epistemology, Evaluation
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Smagorinsky, Peter – Mind, Culture, and Activity, 2011
This article reviews Vygotsky's writings on arts (particularly logocentric art including the theater) and emotions, drawing on his initial exploration in "The Psychology of Art" and his final considerations set forth in a set of essays, treatises, and lectures produced in the last years of his life. The review of "The Psychology of Art" includes…
Descriptors: Theater Arts, Learning Theories, Developmental Psychology, Emotional Experience
Fendrich, Laurie – Chronicle of Higher Education, 2008
Recently the author has been including in her undergraduate seminars Jean-Jacques Rousseau's "Letter to d'Alembert on the Theatre" (1758), the most provocative essay on the arts ever written. It is about the unintended effects of theater--which, for Rousseau, stands in for all of the arts--on an audience. The essay is an impassioned rebuttal to…
Descriptors: Popular Culture, Theaters, English Instruction, Literature
Kennedy, Roger G. – 1978
The artistic quality of creativity is not unique to artists but is carried out more skillfully by those who are artists than by those who are not. The artist participates with the rest of humanity in the essential part of creativity, communication, and develops a consonance--a resonance--between the work of art and the audience. The ritual of…
Descriptors: Art, Audiences, Creativity, Drama
Kavett, Hyman; Smith, William E. – G/C/T, 1980
The article reviews approaches used in several states to identify students gifted in the performing arts. Specific instruments, such as C. Seashore's Measures of Musical Talents, as well as locally created instruments, peer nomination, and product evaluation are considered. (CL)
Descriptors: Art, Dance, Drama, Evaluation Methods
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Stewart, Robert Scott; Nicholls, Rod – Journal of Aesthetic Education, 2002
Aesthetics, as a distinctively "philosophical" exercise, whether with respect to research or to teaching, is supposed to be about the "theory/theories" that underpin the works of art in these various fields. Given this, "applied aesthetics" demands a preliminary explanation. First of all, the phrase might refer to an analysis of a particular work…
Descriptors: Theater Arts, Art, Fine Arts, Aesthetics
Russell, Douglas A. – 1976
This book provides students and teachers of scenic design and drama classes with a foundation for planning the style of a theater production. Each chapter in the book discusses the art and culture of a major period in the history of the theater, the developments in theater and in dramatic method that took place, and at least one play…
Descriptors: Art, Culture, Drama, Dramatics
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Goldberg, Moses – Children's Theatre Review, 1982
Believes that children's theater can reach a new level of acceptance and importance despite reduced resources, but practitioners must emphasize quality, standards, artistry, and professionalism, not just quantity and enthusiasm. Considers ways to guarantee and reward artistry. (PD)
Descriptors: Art, Children, Drama, Dramatics
New York State Education Dept., Albany. – 1996
This revised edition of the New York learning standards for the arts incorporates changes in earlier editions to the content standards and performance indicators based on extensive review by the public. Samples of student work and teacher comments on the work are also new in this edition. The examples are intended to provide some ideas of tasks…
Descriptors: Art, Art Education, Dance, Drama
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