Community engagement has become an increasingly prevalent part of dance education. This study responds to the need for additional research on community engagement activities in private sector dance studios in the United States. Using a combined qualitative and quantitative approach, we provide an in-depth look into the current types of community…

Inclusivity is first and foremost the action of bringing all people together in one space, no matter the ability level, race, background, and so on. Our studio is providing just that in an environment designed for people of all ability levels. This article includes how our organization is implementing specific supports for everyone as well as…

Inspired by Harney and Moten's (2013) description of study in the undercommons, I bring the perspective of a dance teacher to a conversation about educational equity. Dance is an important method of study and a form of knowledge. It shows up in the undercommons (Harney & Moten, 2013) and in students' at-home educations (Shujaa, 1993).…

Aiming to challenge the notion that the ballet lexicon is ahistorical, this study focuses on the ballet classroom. Training plays a vital role in how ballets are performed, and past choreography needs a different approach from that of contemporary ballets. Previous studies of classroom movement, while acknowledging different Schools, have not…

This study explores the expectations of dance therapists/practitioners and parents and teachers of autistic children engaging in a developmental dance programme. Information gathered will support development of an evaluation tool aligned with the International Classification of Functioning Disability and Health (ICF) Core Sets for autism spectrum…

The National Honor Society for Dance Arts (NHSDA) has existed since 2005, and more than 35,000 students have been inducted to celebrate their artistic merit, leadership, and academic achievement in dance. A recent addition to NHSDA programming, specifically geared toward highlighting the contributions of our collegiate chapter members, is a new…

The author explores the relationship of play to choreography. He defines choreography as the rules that guide body movements from their minute physicality to their broad social and cultural contours. He conducts a review of the literature and accentuates five general topics--learning through creativity; choreography as writing and pedagogy;…

High school dance students are at an age where they can process challenging technical concepts with an anatomical lens. One of these concepts is turnout, an essential joint action used in a variety of dance contexts and disciplines. As this joint action is not always well explained or well understood, many students try it without adequate guidance…

Picture book stories are an important tool for teaching creative dance to children. This article presents a dance activity using a picture book story that educators can use to promote movement exploration and creativity.

Throughout history, dance has been regarded as an act of rebellion. This art form has persisted to become a means for the common person to demonstrate impassioned objections to issues from racism and religious oppression to communism, plastic waste, and human trafficking. As early as the plantation era, dance has provided a means of physical…

The development of technology affects the use of learning media in primary schools. This research applies the method of a systematic review literature with the favored revealing things for orderly audits and meta-examination (preferred reporting items for systematic reviews and meta-analyses (PRISMA)) protocol. The research stages include…

Ensemble Thinking (ET) is a toolkit of movement scores developed by dance-maker Nina Martin in the 1980s in New York City. The scores of ET arose out of a confluence of Martin's choreographic and improvisational performance practices. The impetus for developing ET was to develop a technical language for creating and discussing improvised dance.…

In this article the authors present practical approaches to alignment cueing using the Functional Awareness® approach to embodied anatomy. The pedagogical philosophy is beneficial for all levels of dance skill. We describe specific instructional practices to enhance understanding of the body, and the cueing can be incorporated in any dance class.…

Presently there are approximately 50 million ballroom dancers in China, and over 100 tertiary institutions offering bachelor's degrees majoring in ballroom dance. It was this context and the growth of tertiary ballroom dance education and the prosperity of ballroom dance competition in China that prompted this research question: What are tertiary…

Heatwaves, extinct species, and broadly polluted areas worldwide are apparent signs of the human-caused ecological crises. Scholars agree that a collective ecological change is needed to save the Earth. Thus, we must critically reflect how we, as dance educators, are dependent on how dance is defined, and how its educational aims and practices are…