Multicultural and intercultural dance practices are a by-product of the ever-increasing flow of people across national and cultural boundaries. The increasing presence of Latinx dances in Aotearoa New Zealand has resulted from the migration of Latinx people who celebrate, create, perform, and teach these dance traditions as teachers, performers,…

From its inception in 1998, the National Dance Education Organization (NDEO) Board used ever-evolving versions of an Applied Strategic Plan (ASP). Each ASP consisted of goals and related objectives to develop and grow the organization. While the wording and order changed as NDEO grew, the essential nature of the goals remained the same. From 2011…

Originally published as a special issue of "Research in Dance Education," now with an added chapter, this text acknowledges and celebrates the increasingly diverse careers and employment networks in which dance professionals and dance educators are engaged. Addressing issues and developments relating to the workplace of dance, the text…

This paper explores dance as literacy. Specifically, it examines qualitative case study research findings and student examples from a dance artist-in-residence that explored curricular content using dance as its primary mode of enquiry and expression. Throughout the residency, students constructed meaning through their dance experiences in dynamic…

A local trend in commercial dance studio education is the implementation of real-time digital video surveillance. This case study explores how digital video cameras in the dance studio environment affect asymmetrical power relationships already present in the commercial studio setting, as well as how surveillance impacts feminist pedagogical…

In the 1960s a visible shift in the ideology of contemporary dancers and choreographers took place. A desire for a dance language that rejected the need for the classical dancerly body paved the way for dance that was open to a more diverse population of participants. DanceAbility emerged in that late 1980s as a method of making dance accessible…

At Arts Advocacy Day 2009 in Washington, over 500 citizens educated, advocated, and lobbied for federal support for the arts and its positive impact on the U.S. economy. This year the Nancy Hanks Lecture was given by Wynton Marsalis, whose extraordinary address voiced the potential of the arts in this new era of hope. For dance educators, Marsalis…

Studio owners continually face the challenge of finding qualified instructors. While aspiring performers spend time developing dance technique, little time is devoted to enhancing teaching skills. In this article, the author, a studio owner, describes the problem she had with her dancers' lack of teaching knowledge and details how she discovered…

This topic stems from the author's experience in the technique classroom, and from her training in Laban Movement Analysis. The three fundamental branches of Laban's system--Body, Effort and Space--offer an opportunity to approach teaching through these separate, yet inextricably linked, lenses. This article defines each of the three categories in…

This article provides a practical framework for infusing a body-listening or somatic approach into the dance class. Although the concept of body listening is not revolutionary or ground breaking, it has been underemphasized in the dance technique class and needs revisiting. From reflection on current research, as well as from several years of…

A history of the outstanding K-12 dance program in Vancouver, Washington, is provided, including various strategies used to promote its growth from a few pilot elementary schools through middle schools to an arts magnet high school. Numerous changes have been weathered by the professional dance staff, including certification challenges instigated…

This article evaluates strengths and limitations of some studio training. It focuses on values that private studio students bring to the public school setting. One teacher uses this as an opportunity to reflect on and claim her own values and desire to develop students as artists.

In this article, the author discusses the responsibilities of private sector dance educators to their students, parents and the faculty in middle America. The author believes that dance educators' responsibility to their students requires that they are qualified, caring, and professional. Private sector dance educators have the challenge of…