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Bennett, John P. – 1984
The American Square Dance became the official National Folk Dance of America by an act of Congress in 1982. Although the square dance contains some elements similar to the New England Quadrille, the Kentucky Running Set is thought to be the true foundation for its movements and configurations. The Running Set has been traced back to the source of…
Descriptors: Dance, Dance Education, Folk Culture, United States History
Peer reviewed Peer reviewed
Brown, Joan Myers – Western Journal of Black Studies, 1989
Describes the history of the Philadelphia (Pennsylvania) Dance Company, known as PHILADANCO, founded in the early 1970s by Joan Myers Brown at her Philadelphia School of Dance. PHILADANCO has sought to discover and train a corps of local Black dancers to build a strong dance company and important cultural institution. (AF)
Descriptors: Arts Centers, Black Students, Dance, Dance Education
Van Dyke, Jan – 1992
This book om the interrelationship of economics and aesthetics from the perspective of modern dance includes a preface and six chapters. Chapter 1, "The Modern Dance Point of View," presents a history of modern dance from 1915 to the 1980s. Chapter 2, "The National Endowment for the Arts and Its Impact on Modern Dance,"…
Descriptors: Aesthetic Values, Cultural Context, Dance, Dance Education
Peer reviewed Peer reviewed
Aschenbrenner, Joyce; Carr, Carolyn Hameedah – Western Journal of Black Studies, 1989
Describes dancer Katherine Dunham's philosophical system and her application of the "Dunham technique" in the Children's Workshop of the Katherine Dunham Museum in East St. Louis (Illinois). Contends that Dunham incorporates rites of passage to transform the lives of participants through intense involvement in art as a way of life. (AF)
Descriptors: African Culture, Black Culture, Black Youth, Community