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Edmond Gubbins – Irish Educational Studies, 2024
"Musical Futures" is an approach to music education grounded in the principles of informal learning. Research has shown that "Musical Futures" has profoundly impacted teaching and learning in music, pupil engagement and educational strategies for music (Green, Lucy. 2002. "How Popular Musicians Learn: A Way Ahead for Music…
Descriptors: Music, Learner Engagement, Music Education, Elementary School Teachers
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Chaseling, Marilyn; Boyd, William E. – Australian Journal of Music Education, 2014
This paper overviews the decline and revival of music education in New South Wales schools from 1920 to 1956. Commencing with a focus on vocal music during the period up to 1932, a time of decline in music teaching, the paper examines initiatives introduced in 1933 to address shortcomings in music education, and the subsequent changes in…
Descriptors: Foreign Countries, Music Education, Educational Trends, Educational History
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Dikli, Semire, Ed.; Etheridge, Brian, Ed.; Rawls, Richard, Ed. – IGI Global, 2018
In an effort to enhance the quality of education, universities and colleges are developing programs that help faculty and staff internationalize curriculum. These programs will purposefully develop the intercultural perspectives of students. "Curriculum Internationalization and the Future of Education" is a critical scholarly resource…
Descriptors: Global Approach, Curriculum Development, Educational Trends, Active Learning
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Tobias, Evan S. – International Journal of Music Education, 2015
In this case study, the author investigated intersections of secondary students' musical engagement in a Songwriting and Technology Class (STC) and outside of school. The study traces the experiences of three individual participants and three participant groups (six embedded cases in total) in the creation, performance, recording, and production…
Descriptors: Music, Music Education, Secondary School Students, Music Activities
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Gibson, Josephine R. – Music Educators Journal, 1972
Describes the importance of music as a sensitivity agent in the educational curriculum and the failure of most school curricula to recognize this. (AN)
Descriptors: Curriculum Development, Music Appreciation, Music Education
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Yim, Hoi Yin Bonnie – Australian Journal of Early Childhood, 2007
This paper reports on a research study of the effectiveness of a series of music-appreciation activities for young children in Hong Kong. These activities were designed using world music and were presented as part of a local early childhood television program for community interest. One-hundred-and-sixty-eight local preschool children (mean age…
Descriptors: Curriculum Development, Music Education, Music Activities, Preschool Children
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Fowler, Charles B. – Music Educators Journal, 1974
Although the traditional idea of general education has been that there are certain things every civilized man ought to know in order to be "cultivated", there is no longer an ideal taste in music or a particular set of understandings about music that all people must acquire. (Author)
Descriptors: Applied Music, Auditory Perception, Curriculum Development, Music Appreciation
Jorgenson, Dale A. – Music Educ J, 1970
Descriptors: Art Education, Cultural Enrichment, Curriculum Development, Music Appreciation
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Groves, Saundra L.; Groves, David L. – Adolescence, 1980
Briefly discusses music programing for special audiences. An illustrative exercise provided to point out a programing format, especially the sequencing activities and utilization of resources. (Author/MP)
Descriptors: Curriculum Development, Evaluation, Exceptional Persons, Learning Activities
Volkmann, Roberta – Instructor, 1974
Article described a music program designed to develop individual learning skills, involvement, appreciation, and enjoyment of both music and literature for children of all ages. (Author/RK)
Descriptors: Concept Teaching, Curriculum Development, Interdisciplinary Approach, Literature
Middleton-Cross Plains Area School District, WI. – 1978
Music instruction is organized by skill and concept in this 12-part curriculum guide. In parts 1 and 2, a statement of philosophy is followed by a conceptual chart providing an overview of the 1-12 curriculum by concept. Kindergarten curriculum is outlined in part 3. Part 4, which outlines concept development for grades 1 through 6, is subdivided…
Descriptors: Concept Teaching, Curriculum Development, Curriculum Guides, Elementary Secondary Education
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Boney, Joan – Music Educators Journal, 1973
An effective music teacher in high school needs to be artistic. String students at most universities have little or no opportunity to develop as teachers due to the curriculum and philosophy of the institution. (DS )
Descriptors: Curriculum Development, Educational Philosophy, Music, Music Activities
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Knieter, Gerard L. – Music Educators Journal, 1983
Music education should be conceived as aesthetic education which is devoted to the systematic development of musicality. Music education curricula should incorporate contemporary psychological methods which encourage creativity while focusing on the nature of music meaning and expression and the development of the capacity for musical response.…
Descriptors: Aesthetic Education, Creative Development, Curriculum Development, Educational Objectives
Raph, Alan – Education Digest: Essential Readings Condensed for Quick Review, 1973
Descriptors: College Programs, Course Descriptions, Curriculum Development, Jazz
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Au, Wayne – Journal of Negro Education, 2005
The rap music lyrics were analyzed to flush out the hip-hop culture's perspective on the education of African American (AA) youth. It was found that there is a need for the implementation of more culturally relevant curricula in schools, which benefits the students to understand hip-hop culture.
Descriptors: Music Appreciation, Culturally Relevant Education, African American Culture, African American Students
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