This theme issue of "InSEA News" is about several international and local curriculum concerns, building on topics of the previous two issues. The authors, from Taiwan, Brazil, Hungary, the Netherlands, and Portugal, address international cooperation projects or describe local curriculum projects. Some articles are accompanied by…

In Taiwan, traditional pedagogy and technique-oriented teaching methods have become too outdated to enable students to fight with a society full of complicated and confusing socio-cultural phenomena. An art education curriculum change is needed, and innovative art programs should be developed with careful consideration of the socio-cultural…

Describes experience in teaching art in an open classroom for eighth grade students at Martin Kellogg Junior High School, Newington, Connecticut. (DS)

Many students leave high school with little knowledge of our artistic heritage. While this is partly because of low exposure to art classes, another reason can be found in the lack of training in art history among art teachers. Recommendations for increased training in art history are made. (IS)

This aricle describes the successful efforts of district arts teachers in saving their art programs in the face of declining enrollments. The Board of Education accepted the committee report, retaining all tenured and non-tenured staff, and was willing to make a substantial financial commitment to the fine arts program. (KC)

The league of Cities for the Arts in Education encourages the integration of all the arts in all parts of school curricula for all children. An overview of the project and the individual programs of Hartford, Little Rock, Minneapolis, New York, Seattle, and Winston-Salem are described. (JMD)

Presents a unit for use in high school English classes on "A Short History of American Painting, Colonial Period Through 1900," and discusses how it was developed. The unit was used in the ninth grade, but it can be modified to facilitate the teaching of a variety of skills at any grade level. (JM)

Discusses the genesis of the Rembrandt Teaching Project, a discipline-based arts curriculum focusing on art history, art production, art criticism, and aesthetics. Developed for a group of New York City middle school students, the goal of the curriculum focuses on critical thinking skills. (DAJ)

Discusses the nature of aesthetics, the kinds of activities involved, its sources, and competing ideologies. Recommends a plan for teaching aesthetics. Maintains that, for aesthetics to be fully implemented into the school, teachers must be asked to participate in designing the curriculum. (KM)

Outlines the work of psychologist Howard Gardner, who isolated and identified seven basic, autonomous intelligences. Discusses the ideas presented at a 1989 South Carolina conference that probed the implications of Gardner's theory of multiple intelligences for the arts and for education. Contends that the theory of multiple intelligences…

Describes the Eakin School Project, developed in collaboration with the Nashville (Tennessee) Institute for the Arts (NIA), a five-year project begun in 1991 to make the arts and aesthetic education central to the kindergarten through grade six curriculum at the Eakin School. Students view performances in and around Nashville and are taught by…

A public curriculum is inherent in the orderly images in art museums. This voluntary public access curriculum offers challenges and useful metaphors for educators working in more structured settings. The parallel roles of school and art museum educators are traced. (SLD)

Examines the need for the study of architecture and product design in the K-12 curriculum. Describes a model for an integrated design studio that promotes creativity. Recommends ways that people from the community can help in the classroom and suggests ways that art teachers can be trained. (KM)

Reexamines basic aspects of creativity enumerated by Viktor Lowenfeld and shows how goals of art education have varied with time and social needs. Argues that interdisciplinary approach to learning, which involves seeing connections and realizing that all knowledge is one and whole, is what education is all about. Concludes that such approach was…

Reports findings of a 1986 survey on multicultural approaches in art and design curricula in the United Kingdom. Identifies seven ways teachers were encouraged to introduce multicultural issues into the classroom. Examines origins and value orientations to multicultural reform. Favors multicultural curriculum reform from an internationalist,…