The process of developing an elementary art curriculum intended for national distribution is described. Emphasis is on the theoretical and practical criteria employed in making curriculum decisions. (Author/RM)

Identifying an appropriate mission for art education within the context of the new school curriculum proposed by recent national reports is discusssed. Implications for art teacher education are drawn, and a model teacher preparation program overview is presented. (Author/RM)

This issue of "InSEA News" features diverse articles from authors/art educators from Brazil, Australia, the United States, Guatemala, and Scotland that discuss water projects, childhood reminiscences, comparative curricula, local artists, and community efforts to involve students in exploring a city's history. Articles in the journal…

The National Symposium on Arts Education 1997 provided an opportunity for arts educators, professional artists, and representatives from government agencies to discuss common concerns and to develop strategies for strengthening the arts in Canadian schools. This collection of papers from the symposium addresses many questions about the future of…

Proposals for program development to meet current and future needs in Art Education. (MB)

The author examines the tenets, historical antecedents, and implications of the current art education theory of "planned eclecticism," which encourages relatively free curriculum content choices, subject only to the psychosocial context of the school. He questions the theory's dependence on sociological theories and scientific…

Presented are brief descriptions and comments by administrators of some California arts programs on producing a quality arts program inexpensively. Topics discussed are: initiating a Comprehensive Arts program, the use of CETA artists-in-residence, curriculum development, and the coordination of a high school fine arts program. (Author/SJL)

In this keynote address to the 1980 National Art Education Association National Convention, the author suggests a redirection of art education. He proposes a redefinition of the scope and purpose of art education, outlines a dialog curriculum for aesthetic literacy, and considers ways of dealing with the arts bureaucracy. (SJL)

Identification of gifted students and the planning and operation of an arts program are discussed, as well as teacher characteristics and teaching methods for working with the gifted. (PHR)

Argues that elementary and middle school art education should not exclusively focus on creating art but should also include ample amounts of art history, criticism, and aesthetics. It introduces the Prairie Visions model for professional and curriculum planning and development. (GR)

Describes a summer institute for classroom teachers and arts specialists on integrating the arts into language arts in order to meet newly mandated viewing and representing strands in school curricula. Outlines the results of a survey sent to participants one year after the institute. Concludes that an intensive professional development experience…

States that the critical work for art educators will continue to be curriculum development and implementation. Claims that an emergent issue for art education is a community-relevant, developmentally appropriate curriculum. Discusses issues facing curriculum developers and outlines criteria for the art education curriculum. (GG)

Advocates the development of community college programs to train professional artists. Considers the following elements important to program success: a faculty of working artists, a studio-based curriculum, adequate facilities, enrichment activities, and an open atmosphere. (DMM)

Discusses the development in the late 1970s of the new Emily Carr College (Vancouver) curriculum which was based on foundation courses. Describes the transformation of four of those courses into telecourses for the Distance Learning Education program and the use of computers to teach drawing. Includes photographs of 52 art works and three…

Explores the sources of art criticism and reviews some extant pedagogical models. Outlines the content skills to be developed and the role of art criticism in a discipline-based teacher training curriculum. Recommends that art criticism should incorporate pedagogy and other disciplines of art. (KM)