Article examined the difficulty of teaching music in an open classroom with children of different ages and where some children did other things. (Author/FK)

Contends the history and values that lie behind Jewish music offer music educators more than the holiday songs normally utilized. Discusses a variety of ways that Jewish music can enrich students' understanding of and appreciation for music history. Lists important composers of Jewish and non-Jewish background who have produced Jewish music. (DB)

These curriculum projects were developed by participants of the Fulbright-Hays Seminars Abroad Program in Poland and Hungary during the summer of 2000. The following 11 projects are in the collection: "A Thematic Multicultural Interactive School Event on Poland and Hungary: Exploration and Learning for 6-to-9-Year-Olds" (Ruth Albert);…

Criticizes the curricula of most university music schools and conservatories in the United States for their lack of a global approach and for their focus on Western classical music. Encourages the development of a new curriculum that includes the study of folk, popular, and non-Western musics. (LS)

Asserts that music is an important part of child development, but music experiences in preschool are often haphazard. Provides suggestions for developing music activities, including: using singing as program basis; choosing easy to sing music; understanding the relationship between music and creativity; slowly introducing movement experiences;…

Summarizes discussions at a symposium of the Music Educators National Conference (MENC) of multicultural music education. Offers ideas about the teaching of African-American, Native American, Asian-American, and Hispanic music. Presents MENC's resolution supporting multicultural music education. Describes the symposium as a major event in…

Describes a college level course in opera for nonmusic education students. Contends that students benefited from the enriching experience of the course. Includes a list of 10 operas recommended for an introductory course. (CFR)

Discusses the changes taking place in music education and how they will affect the training of future music teachers. Suggests that teachers should be prepared to present music in a general yet varied format. Includes the necessity of promoting musical experiences and appreciation of musical events in desired curriculum changes. (DK)

Preschool children participated in a classical music program to determine the effects of the program on their auditory discrimination skills. The development of auditory discrimination skills, considered a leading factor in reading readiness, is one of the objectives of the music program. Other objectives include emotional growth, experience in…

This document on course goals in music is one part of a critique series dealing with the development and evaluation of course goals in six subject matter areas for grades K-12. The series provides an initial pool of course-level goals that are expected to be of considerable value in assisting educators with goal definition related to curriculum…

This document is a South Carolina curriculum model that identifies four broad areas of study. These components, which should be present in all music education courses, are: (1) aesthetic perception and concept development; (2) creative expression and skills development; (3) music heritage, both historical and cultural; and (4) aesthetic valuing,…

The Music Educators National Conference sponsored a 3-day intensive research training program in 1969 to prepare participants for research in curriculum development and evaluation. Major objectives of the program, in which 222 music educators participated, were to train each participant to be able to (1) write an educationally useful statement of…

Raises concerns about the music educator's approach to teaching pre-kindergarten children. Proposes a pre-kindergarten music curriculum model based on a synthesis of theories about the learning environment with the contributions of learning/play theorists and music educators. Provides a global to specific approach to interactive play periods. (LS)

Critiques musical learning in school bands, and points out the need to teach more than performance skills. Encourages band directors to use comprehensive musicianship teaching techniques, suggesting methods to help band students think musically. Provides workable, specific strategies for rehearsals. (LS)

Describes the Eakin School Project, developed in collaboration with the Nashville (Tennessee) Institute for the Arts (NIA), a five-year project begun in 1991 to make the arts and aesthetic education central to the kindergarten through grade six curriculum at the Eakin School. Students view performances in and around Nashville and are taught by…