Profit-making and exploitation of the American Indian by the motion picture industry is reviewed. (AH)

Argues that the frequently negative representations of racial or ethnic minorities in American film are related to the ideology embodied in the "Western Hero." Focuses on ideology and race relations in Cooper's "Leatherstocking Tales" and three films: "The Vanishing American" (1925); "Bad Day at Black Rock"…

To examine the role of the animated cartoon in propaganda associated with World War II, 194 of 262 cartoons produced for theatrical release by Warner Brothers, Inc., from 1939 to 1946 were analyzed. Propaganda content was determined by the number and nature of symbols used and the cartoon's "attitudes" toward these symbols. An analysis…

The purpose of this article is to categorize the treatment of Indian people in the mass media and to show what Indian people themselves are doing to combat the after-effects of this assult. (Author/AH)

Discussed in this article are numerous films which feature Asian characters and the influence these films have on stereotyped images of Asians and prevailing racist attitudes toward Asian Americans. (EB)

Hollywood has portrayed the Latino as a greasy Mexican, a generally repulsive and/or irredeemably evil bandit, a cowardly sidekick, a stupid peasant, and a member of urban gangs. Perhaps the rising consciousness of the Latino may reverse this so that a real and positive portrayal of the Latino will develop. (NQ)

This paper presents a history of motion pictures that focuses on how motion pictures, from 1894 to the present, have portrayed Latins. The role that Hollywood has played in the perpetuation of stereotypes is illustrated. There is an explanation of how film has illuminated a world beyond everyday experiences and has introduced the movie-goer to new…

For many years, the dominant image of Africa seen on Western films was that of condescension and paternalism. The history of films about Africa, with some exceptions to the prevailing portrayals, is traced; and the origin and growth of the African film industry are reviewed. (SLD)

Early images of African Americans in films determined a pattern that survived until World War II. The role of the National Association for the Advancement of Colored People in creating new images of African Americans after the war films is profiled. Although changes seem modest, they reflect some social movements. (SLD)

Two films, the fictional "Thunderheart" and the documentary "Incident at Oglala," demonstrate that Hollywood can sometimes portray the ethnic conflicts of Native Americans accurately. Both explain the ambivalent relationship with the dominant society that Native Americans have chosen through their refusal to be patronized. (SLD)

Political conditions have influenced the screen images of U.S. cinema, and the images of African Americans have reflected prevailing social stereotypes. The history of African-American representation in films is traced, and it is noted that the tendency to portray African Americans stereotypically has not changed. (SLD)