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Hood, Emily Jean; Travis, Sarah – Art Education, 2023
During the summer of 2020, in response to the murder of George Floyd by Minneapolis police officers, many people in the United States mobilized to address systems of oppression that function through power dynamics around race and its intersections with factors like class and gender. This article is a call for art educators to take this moment to…
Descriptors: Art Teachers, Critical Theory, Reflection, Faculty Development
Bae-Dimitriadis, Michelle S.; Yoon-Ramirez, Injeong – Art Education, 2023
In this article, the authors discuss the intersectional art practices of contemporary Asian American artists via antiracist art inquiry grounded in intersectionality and AsianCrit. This inquiry is rooted in the authors' own lived experiences as an Asian immigrant and an Asian American, both of whom embody immigration and transnationality. The…
Descriptors: Intersectionality, Racism, Art, Asian Americans
Weltsek, Gustave; Manifold, Marjorie Cohee – Art Education, 2022
This article shares how the authors' experience with a graduate course led to creating the Living Museum: Empires Project with a group of local high school students enrolled in a science, technology, engineering, and mathematics magnet school's combined advanced language and world issues course. The authors begin with a brief background on how…
Descriptors: Art Education, Personal Autonomy, High School Students, Critical Theory
Raymond, Jordan – Art Education, 2023
COVID-19 has shown a point of vulnerability in the education system and has reminded us how important stories and experiences are, especially from the perspective of marginalized students. A much harsher reality has shaped their lives and experiences, and educators need to rethink their educational practices and theories in the context of the…
Descriptors: COVID-19, Pandemics, Art Education, Critical Theory
Mernick, Alisha – Art Education, 2021
As antiracist and antibias education becomes more popular, many educators are now teaching more "diverse" artists in their curriculum. However, educators who strive for conscientization and social justice through their pedagogy must go beyond merely diversifying the artists being taught (Acuff, 2018). Educators must put lesson planning,…
Descriptors: Art Education, Critical Theory, Consciousness Raising, Self Actualization
Aghasafari, Sahar; Bivins, Kelli; Muhammad, E. Anthony; Nordgren, Brendan – Art Education, 2022
Art integration has been used to explore "the relevance and approaches to arts education connected to [the larger] curriculum and instruction with learners of all ages, including teacher learners" (Cahnmann-Taylor & Sanders-Bustle, 2019, p. 2). Art integration utilizes commonalities among the many components of other disciplines.…
Descriptors: High School Students, Bilingual Students, Multilingualism, Art Activities
El-Amin, Aaliyah; Cohen, Correna – Art Education, 2018
In recent years, an ongoing conversation has emerged about the need for museums to address how collecting practices reinforce and perpetuate racial oppression (Jennings et al., 2014; Lynch & Alberti, 2010; trivedi, 2015), ultimately creating unwelcoming environments for groups of color (Jennings et al., 2014; Sandell, 2002; trivedi 2015). Of…
Descriptors: Art Education, Museums, Critical Theory, Teaching Methods
Shields, Sara Scott – Art Education, 2017
The purpose of this article is to reflect on the events that occurred at Pulse nightclub and how a social justice camp collided to create opportunities for campers, preservice teachers, and faculty mentors to use creative activities to connect community members during a time of tragedy. The author begins with a brief introduction to critical…
Descriptors: Homicide, Social Justice, Preservice Teacher Education, Trauma
Stewart, Edward O. – Art Education, 2012
For the last decade Michelle Kamhi has been prominent in her critique of contemporary art education. In her philosophy she positions herself as an essentialist who believes there are essential masterworks that define fine art, and the curriculum in art should teach fine art only. Her definition of fine art focuses on representation in painting and…
Descriptors: Social Justice, Fine Arts, Art Education, Educational Philosophy
Motter, Jennifer L. – Art Education, 2011
PostSecret (www.postsecret.com) is a transitional space where the in-betweenness of public and private exists. Within this space, peer public pedagogy occurs through critical participatory democratic interactions of community participants. Integrating PostSecret into the art education curriculum can offer the potential for generative knowledge…
Descriptors: Web Sites, Visual Aids, Informal Education, Art Education
Dewhurst, Marit – Art Education, 2010
"What do you really mean by social justice art education?" This question constantly causes confusion among not only the students, but also the educators, researchers, and artists working at the intersection of art, education, and social justice. The labels for this work come in many shapes, among them, activist art, community-based arts, new…
Descriptors: Social Justice, Art Education, Social Change, Activism
Gude, Olivia – Art Education, 2007
An art curriculum is not a mere container of aesthetic and cultural content; a curriculum is itself an aesthetic and cultural structure. Students should be able to sense, examine, and explain the structure of the art curriculum; these explanations should emphasize important ideas and themes associated with traditional and contemporary artmaking…
Descriptors: Art Education, Aesthetics, Art Teachers, Creative Activities