Examines the need for the study of architecture and product design in the K-12 curriculum. Describes a model for an integrated design studio that promotes creativity. Recommends ways that people from the community can help in the classroom and suggests ways that art teachers can be trained. (KM)

Describes the origins of the Peruvian Nazca Indians double-spouted jugs. Provides a lesson plan so students can create their own double-spouted jugs. (KM)

Presents a lesson where second- and third-grade students draw imaginary birds after examining pictures of real birds to get ideas for various poses. Explains the use of colors where the students learn to blend colors using an art technique called "rainbow order." (CMK)

Discusses the benefits of students participating in art classes, focusing on the development of students. Explains that art education: (1) fosters a joy of learning; (2) supports intellectual, emotional, and social growth; (3) prepares leaders of the future; and (4) inspires students. (SM)

Describes various collaborative programs between community arts organizations and schools that provide long-range talent development. Considers the aspects of identifying artistic talent within the arts. Addresses artistic underpinnings, perceptual discrimination, metaperception, creative interpretation, student commitment, the procedures, the…

Describes an art lesson achieved with a Very Special Artist (VSA) in residence for sixth- and seventh-grade students in which they created wire sculptures. Discusses how the VSA taught the students. Includes a list of art materials and characteristics of wire. (CMK)

Interior design, as a field of study, is a rapidly growing area of interest--particularly for teenagers in the United States. Part of this interest stems from the proliferation of design-related reality shows available through television media. Some art educators and curriculum specialists in the nation perceive the study of interior spaces as a…

The California Art Education Association (CAEA) has outlined guidelines to help administrators, teachers, and others responsible for determining the acceptable content of visual arts courses offered to meet California's state graduation requirements or entry requirements into a state university. Emphasis for visual arts courses should be on the…

A total of 87 college professors, childhood development experts, and school teachers from the United States, Canada, the Republic of Korea, and the Philippines participated, along with 34 representatives from the host country of Taiwan, in a seminar to exchange views and experiences related to the role of the arts in child development. This volume…

The third year evaluation of the Richmond County (VA) Arts Program focused on one major question: What is the impact of the Arts Program on the curriculum, students, and teachers? Data from all three years of the program were used to assess impact. Since 1978, more students participated in the art and music curriculum, with opportunities for…

An art teacher can lead students through exercises and discussions which explain and develop techniques, promote ingenuity, give pride of craftsmanship, and provide the base upon which a lasting interest in the visual world can be built. The art teacher's first priority in the studio is to take students who, for the most part, have been deprived…

THE INTERNATIONAL SYMPOSIUM ON NEW DIRECTIONS IN ART EDUCATION, HELD IN BELGRADE, YUGOSLAVIA, JULY 27-29, 1966, AND SPONSORED COOPERATIVELY BY UNESCO, THE INTERNATIONAL SOCIETY FOR EDUCATION THROUGH ART, THE INSEA COMMITTEE OF YUGOSLAVIA, AND THE NATIONAL ART EDUCATION ASSOCIATION OF THE UNITED STATES, PROVIDED AN OPPORTUNITY TO DISCUSS SOME…

SIXTEEN CONSULTANTS WITH DIVERSE BUT RELATED BACKGROUNDS OF EXPERIENCE IN ART AND EDUCATION EXCHANGED IDEAS ON THE MEANING OF ART AND ART APPRECIATION. AN ATTEMPT WAS MADE TO IDENTIFY GOALS, CONTENT, MATERIALS, AND EXPERIENCES THAT WOULD ENHANCE THE TEACHING OF ART APPRECIATION. NO ATTEMPT WAS MADE TO REACH COMPROMISE AGREEMENTS, AND DIVERSE…

To investigate the relationship of a creativity-oriented design curriculum to the creative development of gifted adolescents, an activities guide was developed and used with 27 pupils placed in a special art class which met for one period daily. Creativity tests were given and evaluations of art products were made before and after six months of…

Contradictions in the literature abound concerning Franz Cizek's role in fostering creative art. Researchers should turn to student recollections to determine what Franz Cizek's contribution to art education really was. A former Cizek student who today is prominent in design work is interviewed. (RM)