This book is intended for use by older beginning writers and visual artists. It is not intended to be a comprehensive guide to the complexities of the creative process. The document is a guide to opening and using the creative process in the later years of life. It is arranged in chapters that take the student through a learning process. Exercises…

This manual is intended to help elementary teachers: (1) recognize and achieve the objectives of the art program; (2) organize the classroom (including the equipment, art materials, and tools) to provide an atmosphere conducive to congenial living, and efficient working and learning; (3) plan painting, drawing, and craft activities so that…

THIS BULLETIN IS A GUIDE FOR THE CREATION OR IMPLEMENTATION OF AN ART CURRICULUM FOR THE SCHOOL. BECAUSE OF THE RECOGNIZED VARIETY OF TALENTS AND INTERESTS IN ANY ONE CLASSROOM OR GRADE, THE IDEAS AND PROCEDURES PRESENTED IN THE BULLETIN ARE NOT MEANT TO FOLLOW ANY AGE-GRADE ORGANIZATION. INSTEAD, THE TEACHER IS URGED TO PERUSE THE ENTIRE GUIDE…

Over 20 ideas for planning art programs for grades 1 through 6 are included in this planning guide. Introductory comments stress the individuality of children and caution art teachers not to judge by adult standards and not to direct lessons step-by-step or show how things should be drawn. Outdoor sketching is recommended as a way to develop…

Outlines the discipline-based art education curriculum developed by the Getty Institute for Educators on the Visual Arts in the Los Angeles County elementary schools. (Author/MD)

A project which involved 11th- and 12th-grade art students in creating a "Jackson Pollock type" lyrical action painting is described. As a result of the project, the students gained a freedom of expression which was evident in their subsequent art projects and a tolerance toward twentieth-century art. (RM)

Postulates that successful writing of all kinds depends on freeing the writer's imagination. Suggests techniques teachers can use to help students find their individual voice in writing, such as providing appropriate classroom proxemics, asking students to complete an evocative phrase, and having students critique each other's papers. (CJM)

Suggests ways in which leather can be used as a creative medium in elementary school classroom. (DS)

Focuses on ways that children in art classes can be "gift artists." Discusses different types of gifts that children can create, such as presents for their parents or presents that have been personalized. (CMK)

Presents an art project used with fifth- and sixth-grade students in which they designed a door using clay. Explains that the students used mood to create a door for a specific person. States that this project teaches students how to express mood through their artwork. (CMK)

Discusses the use of the chalkboard as a surface for creating art and enabling young students to express their creativity. Explores different ways that art teachers can use chalkboards, such as for taking attendance, for use during a child's time-out, or a place to rehearse an artwork. (CMK)

Describes an art project that focused on the supernatural in which students create their own "Book Of Luck" using plastic videocassette containers. Discusses how each student created a book and the types of things that were included in the book. Includes examples. (CMK)

Describes an art unit for middle school students where they created their own original pattern through the use of "ClarisWorks Paint." Discusses the procedure for the project and the evaluation used at the end of the unit. Emphasizes the importance of learning about computers. (CMK)

Focuses on the study of personal containers and their uses in art creation for children. States that children are fascinated by boxes and containers. Provides examples of personal containers, such as lunch boxes, pencil cases, purses and valets, and school bags. (CMK)

Suggests that the aesthetic positions James Joyce expresses in his work have an independent intellectual value in understanding gifted childrens' aesthetic development. Discusses and critiques Joyce's theory on the psychology and philosophy of the artist. (KM)