Observations of each child (n=24) in two sixth grade art rooms in Ankara, Turkey, and the building by students of 1/20 models of ideal art rooms found three elements of creativity (person, process, and product) were significantly different from each other. Process and product occurring within the same environment were highly correlated with each…

Discusses "Object LOGO," a symbolic computer programing language for use in the creative arts. Describes the use of the program in approaching arts projects from textual, graphic, and musical perspectives. Suggests that use of the program can promote development of creative skills and humanities learning in general. (SG)

In this article, the author reports on a Liverpool-based community art project which has used an array of different approaches to unlock the artistic creativity of groups of learners throughout the city. The "Fivearts Cities" project, a partnership between television Channel Five and the Arts Council England, aims to bring new audiences…

This article describes the annual William Inge Festival at the William Inge Center for the Arts which spawns creative arts in the 21st century workforce. In April 2006, the festival will celebrate its 25th anniversary and its tradition of honoring American playwrights, including Garson Kanin, August Wilson, Arthur Miller, Edward Albee, Neil Simon,…

Recognizing the public benefits of higher education and the arts, the American Assembly of Columbia University convened a 2004 conference called "The Creative Campus," from which emerged recommendations about better integrating arts offerings on campus into the curriculum, serving the surrounding community and preparing students for the demands of…

The happy ending is that The Theatre Company Blah Blah Blah has arrived at a clear statement of aims and objectives, and the long story is the 20 years of theatre making within the field of theatre in education, involving moments of clarity followed by periods of complete confusion as to why we were doing what we were doing. The question which…

The HMIE publication, "External quality arrangements for Scotland's colleges," specifies that HMIE will produce a number of subject aspect reports over the four years 2008-12. These aspect reports complement in a subject-specific context the generic evaluations of learning and teaching in HMIE's reports of external review of colleges.…

The purpose of this paper was to present and update the evaluation of the ideas of Vicktor Lowenfeld and his place in the history of art education. This task was undertaken in light of developments that have taken place in the decades since his death. Among those developments are: (1) efforts to educate all individuals in the least retrictive…

THE OBJECTIVES OF THIS STUDY WERE (1) TO TAKE BIBLIOGRAPHIC INVENTORY OF RESEARCH CONCEPTS AND METHODS IN CREATIVITY AND THE ARTS, (2) TO TEST A NUMBER OF THE CONCEPTS AND METHODS IN AN EXPLORATORY EMPIRICAL INVESTIGATION OF THE THOUGHT PROCESSES AND PERSONALITY CHARACTERISTICS OF ART STUDENTS, AND (3) TO FORMULATE A NUMBER OF ISSUES, CONCEPTS,…

Presents a brief but pertinent reminder that many of the so-called "basic" concepts in art education are value-laden and articulated with different degrees of evidential support. (Editor/RK)

Describes the work of two very different but delightful "Mother Goose" illustrators--James Marshall and Arnold Lobel. (ARH)

In 1985 the Rockefeller Foundation encouraged the development of a collaborative program between three institutions that look at how teachers teach art and evaluate what their students learn. (MD)

Discusses problems in evaluating artistic ability, changing views on the appropriate content and methods for art education, and new research that reveals relationships between artistic and other intellectual abilities; briefly notes several studies on art programs for the gifted and talented. (MCG)

Five reasons art education is important for all students are discussed. They are: (1) art as basic education, (2) creativity, (3) aesthetic experience, (4) art appreciation, and (5) historical understanding. (RM)

Through play, children draw ideas from their own experiences and create exciting works of art. Materials and methods that can be used in the classroom to help children play are described. (CS)