The most important thing in education is not the data we present, but whether we present them vitally. (JH)

The purpose of this study was to explore the similarities and differences in the reading behaviors of highly creative (HC) and highly intelligent (HI) secondary students. An intensive analysis of the oral introspective and retrospective responses of 36 subjects to two written passages was made. An experimental classification framework was…

The Starkweather Originality Test is designed to measure the creative potential of children ranging in age from 3 years, 6 months to 6 years, 6 months. Children younger than 3 years, 6 months can be given the Originality Test if their ability to communicate verbally is satisfactorily demonstrated during the pretest. The test is individually…

The guide gives procedures for helping gifted upper elementary school students in Major Work classes utilize their imagination. Appropriate literary quotes introduce a discussion on creativity, which involves the imaginative recombination of known ideas into something new. Considered are obstacles that work against creativity such as mental…

The anti-curriculum in English must be anti-formal, anti-traditional, anti-rigid. It must, on the other hand, be pro-human, pro-imagination, pro-creation. (Author)

The anti-curriculum in English must be anti-formal, anti-traditional, anti-rigid. It must, on the other hand, be pro-human, pro-imagination, pro-creation. (Author)

Ideas for alumni magazine articles and features are drawn from a variety of sources. Ideas include: scholarships and donor profiles; profiling administrators as "teams"; update on campus neighborhood changes; interviewing campus specialists for practical information; alumni retrospectives; student and alumni perspectives on current…

Presents a study questioning how comparative educators use their imaginations to construct new knowledge/understanding on representing educational phenomenon; the genres and forms of representations and how these code choices influenced ways of seeing and thinking; and how the self-reflexive history of imagination is patterned as an intertextual…

This study evaluated the use of guided imagery practice to enhance creative writing with 43 academically gifted students (stratified as either high or low creativity) in grades 3 and 4. Groups receiving the guided imagery practice (regardless of original creativity level) generated more original writing, which contained more sensory descriptions…

This study examined the impact of three conditions on how subjects (105 college students) generated ideas about imaginary extraterrestrials. Results are discussed in terms of constraints on innovation, ways of overcoming those constraints, and the general tendency for new ideas to preserve many of the central properties of existing concepts.…

Takes issue with the assumed antithesis of processes of the irrational (imagination and creativity) and those of the rational (reasoning and argumentation). Argues that numerous philosophers suggest richer ways of imagining the processes of argumentation. Explores various classroom practices that enable teachers to weave the creative and critical…

The focus of the present study was the role of cultural learning in infants' acquisition of pretense actions with objects. In three studies, 18- and 24-month-olds (n= 64) were presented with novel objects, and either pretense or instrumental actions were demonstrated with these. When children were then allowed to act upon the objects themselves,…

Thomas A. Edison said, "To invent, you need a good imagination and a pile of junk." Well, the finalists in this year's Craftsman/NSTA Young Inventors Award Program had no shortage of imagination, but chose more useful items with which to work. With the goal to invent or modify a tool, students across the country were searching homes, yards, and…