Discusses how creative elementary teachers can recognize things that would be exciting for the people they are trying to guide. (GB)

Article describes a play happening'' cosponsored in Minneapolis by a department store and an art museum that was enjoyed by 40,000 children during the two-week experiment. (GB)

This manual is intended to help elementary teachers: (1) recognize and achieve the objectives of the art program; (2) organize the classroom (including the equipment, art materials, and tools) to provide an atmosphere conducive to congenial living, and efficient working and learning; (3) plan painting, drawing, and craft activities so that…

An arts-in-education approach to teaching can be a vital and effective motivating force in a language arts classroom. One teaching strategy based on this approach is to design classroom activities that students can simply enjoy. Several activities that students have found enjoyable include building "happiness machines" based on Ray Bradbury's…

THIS BULLETIN IS A GUIDE FOR THE CREATION OR IMPLEMENTATION OF AN ART CURRICULUM FOR THE SCHOOL. BECAUSE OF THE RECOGNIZED VARIETY OF TALENTS AND INTERESTS IN ANY ONE CLASSROOM OR GRADE, THE IDEAS AND PROCEDURES PRESENTED IN THE BULLETIN ARE NOT MEANT TO FOLLOW ANY AGE-GRADE ORGANIZATION. INSTEAD, THE TEACHER IS URGED TO PERUSE THE ENTIRE GUIDE…

Visual thinking is composed of three activities: idea-sketching, seeing, and imagining. This book suggests ways that people whose usual way of thinking is in words can turn to a new mode of thinking; preparations for it, including materials, environmental conditions, and an inner state of relaxed awareness; seeing; imagining; and idea-sketching…

Discusses the role of Montessori education in developing lifelong skills for creativity. Considers self-expression the key to recovering human authenticity and spirit. Urges teachers and parents to develop this inner self in themselves and their children as a barrier against contemporary materialism, hurried life, and alienation caused by…

A series of 6- to 10-week programs in creative collage were given to disabled elderly residents within a special care facility. The program stressed choice, decision making, and personal autonomy in the design process. Participants were involved in all stages of the creative process including exploration, manipulation, establishing a unity,…

Discusses the connections between Montessori pedagogy and Brian Swimme's ideas of a human authorship of a connection with the evolution of the universe and a need to reestablish a connection with the natural world. Describes the ways the art of 11- and 12-year-old students demonstrates an awareness of these issues and a connection with the natural…

Impressed with the results of a two-year experiment with film in the art classes of Central Peel Secondary School, the Creative Arts Committee of the Ontario Curriculum Institute designed five experimental projects that used film. The projects were undertaken by the art classes of four secondary schools. Each project, or experiment, was devised to…

Presents a developmental view of the creative process based on Montessori principles. Discusses the preschool child's need for activity, exploration at an individual pace, and connection between the self and the universe. Considers ways to nurture a child's self-actualizing creativity. (JPB)

Since 1970, the Connecticut Commission on the Arts has sponsored educational programs in which artists participate actively in the classroom with students and teachers. This book contains eight case studies showing the effects of visiting artists in eight Connecticut schools. Topics of these studies are song writing, dance movement in suburbia,…

Learning activities that use visual art symbols enhance the creative and artistic potential of gifted and talented students; promote integration of thought and feeling and the development of multiple symbol systems. Proposes combining with Clark's integrative education model to improve the academic success of all American Indian students. (SV)