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Hao He; Noah Glaser; Dana AlZoubi; K. Rende Mendoza; Heather K. Hunt; Suzanne Burgoyne – Discover Education, 2023
In response to the underemphasis on creativity in college engineering education and the limited knowledge and skills of early-career engineering faculty to nurture students' creativity, the Creativity Academy was designed as a faculty development program. Using theatre-based approaches, the program aimed to train early-career engineering faculty…
Descriptors: Theater Arts, Creativity, Engineering Education, College Faculty
Gaunt, Helena; Treacy, Danielle Shannon – Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice, 2020
Ensemble practices have been essential to the performing and visual fine arts over centuries. The skills of working in ensembles, including team work and collaborative learning, are increasingly understood to be critical and transferable professional attributes. However, much teaching of ensembles is practical and embodied, relying on tacit…
Descriptors: Teamwork, Cooperative Learning, Fine Arts, Visual Arts
Burgoyne, Suzanne, Ed. – Creativity Theory and Action in Education, 2018
People who do not know theatre may think the only creative artist in the field is the playwright--with actors, directors, and designers mere "interpreters" of the dramatist's vision. Historically, however, creative mastery and power have passed through different hands. Sometimes, the playwright did the staging. In other periods, leading…
Descriptors: Creativity, Theater Arts, Interdisciplinary Approach, Teaching Methods
Moffat, Kirstine; McKim, Anne – Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice, 2016
This article describes, discusses and reflects on a teaching and learning experiment in a first year BA course. Students were led out of the lecture room to a different space, the New Place Theatre. While this move out of the usual teaching space was appropriate for the text being studied, William Shakespeare's "The Tempest", the…
Descriptors: Teaching Methods, Theater Arts, Concept Formation, Learning Processes
Ozaki, C. Casey; Worley, Deborah; Cherry, Emily – Research & Practice in Assessment, 2015
The increased pressure in higher education to demonstrate evidence of student learning is prompting all sectors to develop clear assessment methods. This national conversation has also sparked the greater recognition and use of assessment as a process for the improvement of teaching and learning. Given the scant literature on assessment in the…
Descriptors: College Students, Evaluation Methods, Student Evaluation, Mixed Methods Research
Berman, Karen J. – ProQuest LLC, 2010
The purpose of this study was to analyze how cognitive theories apply to the way theatre directors conceptualize a play. This mixed methodology study involved both quantitative and qualitative research to assess creativity in 13 undergraduate theatre directors-in-training and several professional theatre directors. Research from the study of…
Descriptors: Epistemology, Theater Arts, Drama, Creativity
Santoro, Patrick; Boylorn, Robin M. – Qualitative Inquiry, 2008
As co-chairs of a tribute panel for their academic mentors, Carolyn Ellis and Art Bochner, the authors knew what the traditional responsibilities would require, but as a performer and a poet, they were inspired to do something more creative. Something poetic. Something performative. Something different. In this article, the authors present a…
Descriptors: Poetry, Mentors, Responsibility, Creativity
Diamond, Robert M., Ed.; Adam, Bronwyn E., Ed. – 1995
This report presents the statements of discipline-based professional associations and accrediting agencies on professional recognition of college faculty for their varied contributions in the areas of teaching, scholarship, and service. An introductory section describes the evolution of a nationwide effort to open dialogue on faculty priorities…
Descriptors: Accrediting Agencies, Administrative Policy, Agency Role, Art Education