This teacher guide, intended for teen-age educational settings, explores the possibilities of "spontaneous drama" which incorporates acting techniques to evoke the life experience of the student and to encourage self-revelation in a safe and accepting atmosphere. Primarily designed for use in Christian education, but with application to literature…

Reports on 10 documents from the ERIC system that provide insight on the creative process and information on a variety of creative classroom activities. (PD)

Improvisation teaches students that they have the power to create. Drama can be a rehearsal for life, where students learn from successes and mistakes. Topics for improvisation can relate directly to class work or stimulate discussion of new topics. The article examines three steps for teaching improvisation (verbalization, visualization, and…

The article explores the use of drama in counseling gifted, creative, and talented students. Five constituent instruments (stage, subject, director, auxiliary egos, audience) in the psychodramatic method are described as well as the four techniques (double ego, mirror technique, role reversal, soliloquy technique) basic to the psychotherapy…

Defines educational drama as role-taking" which consists of creative work" and coping-work." (Author/SW)

Notes that dramatic play is an important outlet for toddlers and small children, and that prop boxes allow children to know their world, role play, and enhance their imaginations. Provides lists for 20 different prop boxes, and information on getting started, collecting, organizing, and using prop boxes. (SD)

Oral language development, the single most important factor in determining readiness for reading, may be enhanced through creative drama, especially role playing. Role playing is spontaneous play which traditionally has served many purposes, including promoting socialization. It can also be a unique method of recreating historical episodes in…

Creative drama provides the opportunity for children to experience fantasy and for teachers and children to interact through role playing. (JH)

Describes children's dramatic play behavior as a structured, recognizable phenomenon that is the result of careful nurturing by caregivers and a future tool to make vivid the actualities and potentialities of human experience. (CRH)

The production of plays enables the students to associate themselves with the total matrix of the play--its social, political, economic, and cultural aspects; thus theater teaching should be ideally suited to learning cultural concepts about a specific country. This study tested a program of theater teaching against a more conventional teaching…

The primary purpose of this book is to provide a practical working handbook for teachers and therapists. Chapter one is a general discussion of drama, with emphasis on its relevance to therapeutic work. Chapter two offers practical suggestions for starting a therapeutic session and for creating and extending specific environments. Chapter three…

This manual is designed for use by teachers engaged in doing dramatic work with their classes. The lesson plans and vocabulary are specifically suited to children in the primary grades, but they may also be used with older children who are inexperienced in this type of structured creative activity. The introduction to the book discusses the basic…

The purpose of this book is to help parents and teachers recognize and understand dramatic play in childhood as a process whereby the child acts out human experience in an attempt to order, clarify, and understand it. Written by a person experienced in theatre and drama, the book considers the following aspects of dramatic play: the importance of…